The Jamaican writer Geoffrey Philp has published five books of poems, a collection of short stories called Uncle Obadiah and the Alien, and a novel, Benjamin, My Son. He lives in Miami, a member of the great Caribbean diaspora in North America, and he currently teaches at Miami-Dade College. Since December 2005, he has also been a blogger. The plainly named Geoffrey Philp's Blog Spot announced its author's intentions with its very first post, “Why Do I Continue to Write?”: I continue to write because I am from a marginalized race/culture and I work in an even more marginalized discipline/craft…. I continue to write about my people, my landscape because I think they are important, real and the proper subjects of art. Over the last year and a half, Geoffrey's blog has become an important meeting place for Caribbean writers and readers. He posts samples of his own work, short literary essays and meditations, interviews with other writers, news about upcoming literary events, and regular birthday celebrations for major Caribbean authors (most recently, Barbadian poet Kamau Brathwaite). I chatted with Geoffrey recently about his blog and Caribbean literary blogs in general. Here is an edited version of that conversation. Nicholas Laughlin: What made you decide to start a blog back in 2005? Geoffrey Philp: My daughter, who had been blogging for five years, finally convinced me to try and I liked it. NL: Had you ever contributed to a blog before that? GP: I had written an essay, “Voices of the Jamaican Diaspora”, for the now defunct blog Book Coolie. The essay was picked up by Maud Newton, so I began to read a lot of blogs from her links: Moorish Girl, Bookslut, The Valve, the Literary Saloon, and Metaxu Café. NL: How is writing on your blog different to writing in other media? GP: I'm not saying that I don't have any standards for my writing on the blog, but I worry more about my poems, short stories, and novels than I do about the blog. Some of my friends have told me that I'm too hard on myself when it comes to my writing, but as many readers of my blog know, I believe in the tradition of Derek Walcott, Kamau Brathwaite, Dennis Scott, Anthony McNeill, A.J. Seymour, and Martin Carter, so I'm not going to even try and publish something that doesn't meet up in my eyes to that standard. NL: Has the blog pushed your writing in different directions stylistically, or in subject matter? GP: The focus of my blog is pretty narrow: to promote my work and the work of Caribbean and South Florida writers. Now, I started off writing as a poet, and I've learned not everything can or should be a poem. As I've often said to my students in my creative writing workshops, a poem is that bok! of when the ball meets the bat and it shakes you up. A short story is about bottom of the ninth, the bases are loaded, both teams are tied, and the pitcher begins his motion. A novel is the whole shebang–what Henry James called the “loose, baggy, monster.” A blog comes closest to the feel of a novel–it can be anything. This is why I've given myself such strict limits about what my blog should be and what it shouldn't be. By setting such narrow parameters, my writing doesn't end up all over the place and I know exactly what my subject matter will be. NL: Do you consider your blog a literary work in itself? GP: I don't know what to think of my blog, Nicholas. I write about things that interest me. If someone wants to drop by and leave a comment, fine. If not, that's cool too. NL: What are the Caribbean literary blogs you read every day? GP: I have subscriptions in Google Reader to Books of my Numberless Dreams, Guyana-Gyal, Croaking Marley (Jamaican writer Marlon James's blog), the Caribbean Beat blog, Antilles, Jeremy Taylor, and Seawoman's Caribbean Writing Opps. There are some blogs out there, not calling any names, that you can't subscribe to, so I visit them less frequently. NL: Nalo Hopkinson seems to use her blog to keep in touch with her readers. Marlon James uses his to write short–sometimes not so short–essays on all kinds of literary topics, and he mentioned to me once that he was surprised by the attention his blog has got. What's the value of blogs for writers, in your opinion, especially writers in or from the Caribbean? GP: A blog is about freedom. And if we can get that idea into our heads, many things will change. For example, publishing in the Caribbean is very incestuous. You go to a party and you worry if you say this or that about so-and-so that he won't publish you in frick-and-frack. I'm not saying this isn't true in Miami. Just sometimes by speaking (and some people think someone like me shouldn't speak) I've managed to anger some very important people here, so you won't see my face in some places.