The Museum of Bad Art (MOBA) is a privately owned museum whose stated aim is "to celebrate the labor of artists whose work would be displayed and appreciated in no other forum". It was originally in Dedham, Massachusetts, and is currently in Boston, Massachusetts. Its permanent collection includes over 700 pieces of "art too bad to be ignored", 25 to 35 of which are on public display at any one time.
MOBA was founded in 1993, after antique dealer Scott Wilson showed a painting he had recovered from the trash to some friends, who suggested starting a collection. Within a year, receptions held in Wilson's friends' home were so well-attended that the collection needed its own viewing space. The museum then moved to the basement of a theater in Dedham. Explaining the reasoning behind the museum's establishment, co-founder Jerry Reilly said in 1995: "While every city in the world has at least one museum dedicated to the best of art, MOBA is the only museum dedicated to collecting and exhibiting the worst." To be included in MOBA's collection, works must be original and have serious intent, but they must also have significant flaws without being boring; curators are not interested in displaying deliberate kitsch.
MOBA has been mentioned in dozens of off-the-beaten-path guides to Boston, featured in international newspapers and magazines, and has inspired several other collections throughout the world. Deborah Solomon of The New York Times Magazine noted that the attention the Museum of Bad Art receives is part of a wider trend of museums displaying "the best bad art". The museum has been criticized for being anti-art, but the founders deny this, responding that its collection is a tribute to the sincerity of the artists who persevered with their art despite something going horribly wrong in the process. According to co-founder Marie Jackson, "We are here to celebrate an artist's right to fail, gloriously."
History
The Museum of Bad Art was founded by antique dealer Scott Wilson, who discovered what has become the museum's signature piece—Lucy in the Field with Flowers—protruding from between two trash cans on a Roslindale-area curb in Boston, among some garbage waiting to be collected. Wilson was initially interested only in the frame, but when he showed the picture to his friend Jerry Reilly, the latter wanted both the frame and the painting. He exhibited Lucy in his home, and encouraged friends to look for other bad art and notify Wilson of what they found. When Wilson acquired another "equally lovely" piece and shared it with Reilly, they decided to start a collection. Reilly and his wife, Marie Jackson, held a party in their basement to exhibit the collection to date, and hosted a reception they facetiously titled "The Opening of the Museum of Bad Art".
Regular showings of the pieces collected by Wilson, Reilly, and Jackson (and those donated by others), became too much for Reilly and Jackson's small home in West Roxbury, Massachusetts, as hundreds of people attended the receptions. The founders' initial attempt at dealing with their constrained exhibition space was to create the Virtual Museum Of Bad Art, a CD-ROM with a cast of 95 people that presented the MOBA art collection in a fictional imaginary museum. This fictional MOBA allowed the visitors not only to view the paintings but to go behind the scenes in the fictional museum.
The MOBA was officially founded in 1993, and its first exhibition was presented in March 1994.
Word of the museum's collection continued to spread until, according to "Permanent Interim Acting Director" Louise Reilly Sacco, "it got completely out of hand" when a group of senior citizens on a tour bus stopped to see it. In 1995, the display space was moved to the basement of the Dedham Community Theatre, a building with an aesthetic described in 2004 as "ramshackle". The museum in Dedham had no fixed operating hours, instead being open while the theater upstairs was open. As The Boston Globe notes, the art collection was appropriately placed "just outside the men's room", where sounds and smells carry to the collection and the constant flushing of the toilet "supposedly helps maintain a uniform humidity", according to the South China Morning Post.