A very great painter, who is not often appreciated as he should be outside of Italy, though in recent years he is much better known, is Giovanni Bellini, the distinguished Venetian painter. His portrait of the "Doge Loredano" is now recognized as one of the world's great portraits, and copies of it are to be seen everywhere. His masterpieces, however, are his altar pictures, which are noted for their beauty and devotional quality. His Madonnas particularly are famous. His well-known painting at Berlin of the "Angels Mourning over Christ" is probably one of the most humanly touching of mystical pictures. The "Presentation of the Infant Christ" in the Temple, in which Mary is shown presenting the child to the High Priest over a table, while the striking expression of worship on the faces of old Simeon and Joseph completes the meaning of the picture in wondrous fashion, is another typical example of Bellini's power to express the loftiest devotional sentiments.
Among those in second rank in this great period of art, one { 63} of the greatest was surely Titian. In any other period he would quite easily have been the greatest painter of his time. His painting was done in Venice, and his early training was in glass work and mosaic work, to which apparently must be attributed his marvellous development of color in painting. At the age of about fifteen he entered the studio of Giovanni Bellini, at that time the greatest of Venetian painters and one of the important contributors to the art of this period. In this studio a group of young men, including Giorgione, with whom Titian came to be on terms of intimate friendship, Giovanni Palma, Lorenzo Lotto and Sebastiano Luciani, all destined to fame, were brought together. Especially Titian and Giorgione broke away from the older traditions of painting and became founders in modern art. All of his long productive life of nearly 100 years, except for very short visits elsewhere, Titian lived in Venice and did his marvellous painting there. There are masterpieces by him that are acknowledged by artists and critics to be among the greatest paintings we have. No one has been more faithfully studied by art students in all the generations since his time. Some of his Madonnas are among the most beautiful in the world and bear comparison even with all but the very finest of Raphael's. His "Entombment of Christ" in the Louvre is a surpassing representation of this scene which so often appealed to artists. The "Assumption" at the Academy in Venice is probably one of the most visited of pictures in Italy and shows all the best qualities, though some also of the defects, of the great Venetian.