"It seems to me," added the writer, "that in these days, when so many people are trying to enforce obedience, and failing signally in the attempt, that there is only one man in the world who is really master of the minds and hearts of others--an old man clothed in white garments . . . ."
In July 1907 the Sacred Congregation of the Holy Office issued the decree "Lamentabili," which condemned sixty-five distinctive Modernist doctrines. Two months later appeared the encyclical "Pascendi," denouncing under the name of "Modernism" a group of errors which struck at the very roots of the Christian faith.
These events marked the breaking of a storm that had been threatening for some time, of which the condemnation of certain books of the Abbé Loisy, and other incidents, had been the warning rumblings. Loisy's condemnation let loose an outburst in the rationalist, anti-clerical and Modernist press. "The old shadowy images of Rome gagging her progressive men will be revived with added venom to poison the mind of the public," prophesied a writer in the _Ecclesiastical Review_, and the prophecy was certainly fulfilled. In vain did the Abbé Monchamp point out, after close analysis of Loisy's book, the impossibility of escaping a conclusion which places the writer in direct opposition to the authoritative teaching of the Church. The authoritative teaching of the Church was to the minds of many a much less important thing than the retaining of a few intelligent men within her fold. Yet even among those outside of the Church there were men who saw more clearly. "From the paternal standpoint of the Church of Rome," wrote Professor Sanday, "it seems to me, if I may say so, that the authorities have acted wisely. It is not an insuperable barrier placed in the way of future progress, but the intimation of a need for caution."
The storm of abuse which had arisen at the condemnation of Loisy, which had been increased by the publication of the decree "Lamentabili," reached its climax at the appearance of the encyclical "Pascendi," which tore the veil from Modernism and exposed its errors with ruthless precision. Modernism, like Jansenism, had made up its mind to remain in the Church and to mould her teaching to its will; and now it was only one more of the many heresies that had fallen on the rock of the promise and been broken in the falling. The pope and Cardinal Merry del Val, who as secretary of state had the honour of sharing in all the attacks that were levelled at his illustrious chief, were denounced as intolerant fanatics. The one idea of Pius X, cried the Modernists, was to repress by violent means every indication of originality of thought and independence of judgement within the Church; he had attempted to stifle a movement with which some of the best thinkers of the age were in sympathy. He was a "good country priest," perhaps; but utterly incapable of dealing with the questions which were at issue. "The Modernist movement had quickened a thousand dim dreams of reunion into enthusiastic hopes," wrote Father Tyrrell, the leader of Modernism in England, "when lo! Pius X comes forward with a stone in one hand and a scorpion in the other."