That morning it rained, and the London skies hung very low. The world had the effect of a room with a low roof, stifling and without air. He set out to walk to Colonel Kingsward’s office. I forget whether the Intelligence Department of the War Office was in existence at that time, or if it has always been in existence only not so much heard of as in our vociferous days. If it did exist then, it was, of course, in Pall Mall, as we all know. Aubrey set out to walk, but soon recollected that muddy boots detracted from a man’s appearance, especially in the eyes of a spick and span person like Colonel Kingsward, who never had a speck upon any garment, and accordingly he got into a hansom. It did not go any faster than the beating of his heart, and yet he could have wished that it should only creep along like the heavier cabs. He would have put off this interview now had he been able. To think that you are within an hour at most of the moment when your life shall be settled for you absolutely by another person’s will, and that your happiness or unhappiness rest upon the manner in which he will look at the question, the perception he will have of your difficulties, the insight into your heart, is a terrible thing--especially if you know little of the person who has thus become endowed, as it were, with the power of life and death over you--do not know if his understanding is a large or limited one, if he has any human nature in him, or only mere conventionality and the shell of human nature. It is seldom, perhaps, that one man is thus consciously in the power of another--and yet it must come to that more or less, every day.

Colonel Kingsward was in his room, seated at his writing table with piles of books and maps, and masses of newspapers all round him. He was an excellent linguist, and there were French papers and German papers, Russian, Scandinavian--all kinds of strange languages and strange little broadsheets, badly printed, black with excessive ink, or pale with imperfect impression, on the floor and the table. He had a large paper knife at his hand in ivory, with the natural brown upon it, looking like a weapon which could cut a man, not to say a book, in pieces. He looked up with an aspect which Aubrey, whose heart was in his mouth, could not read--whether it was mere politeness or something more--and bade Mr. Leigh be seated, putting aside deliberately as he did so the papers with which he was engaged. And then he turned round with the air of a man who says: Now you have my entire attention--and looked Aubrey in the face. The young man was facing the light which came in from a large high window reaching nearly to the roof. The elder man had his back half turned from it, so that his regard was less easy to read. It was not quite fair. Aubrey had everything against him; his agitation, his anxiety, an expressive tell-tale face, and the light searching every change that took place in it; whilst his opponent was calm as his own paper knife, impassive, with a countenance formed to conceal his emotions, and the light behind him. It was not an equal match in any way.

The Sorceress; v. 1 of 3 — Part 50