The article which follows is from the _Edinburgh News_. It is evidently from the pen of one who was intimately acquainted with Hugh Miller, and is worthy of attention, not only for its eloquent and discriminating notices of his works, but also for its statements respecting his great designs, never, alas, to be accomplished.
It is not many months since we chronicled the death of the greatest of living Scotsmen, and the prince of modern philosophers--Sir William Hamilton. These last few days have bereft us of another of our countrymen not less illustrious, and known all over the world as one of the princes of geology. We cannot well estimate the loss which society sustains in the death of Mr. Miller. He occupied a foremost place among us, and there is none on whom his mantle can fall. In the world of letters his name takes high rank, for undoubtedly he was one of the ablest writers in our literature. Who can have read without delight his manly, vigorous language, soaring sometimes into the highest eloquence, anon plunging into the depths of metaphysical argument, or grappling with the dry technicalities of science, yet ever rolling along with the same easy, onward flow? His style has all the charm of Goldsmith's sweetness, with the infusion of a rich vigor that gives it an air of great originality. He is one of the few writers who have successfully conjoined the graces of literature with the formal details of science, and whose works are perused for their literary excellences, independently altogether of their scientific merit. His writings will ever be regarded among the classics of the English language. For obvious reasons we pass over his editorial labors. It is on the republic of science that his death will fall most heavily. There can be little doubt that he has done more to popularize his favorite department than any other writer. Of all geological works, his enjoy, perhaps, the widest circulation--not in this country, merely, but all over the world, and especially in the United States. His reputation, however, does not rest solely on his standing as an exponent of science to the people; he was himself an original and accurate observer. When the infant science of geology was battling for existence against the opposing phalanx of united Christendom, Hugh Miller, then a mere lad, was quietly working as a stone-mason in the north of Scotland, and employing his leisure time among the fossil fishes of the Old Red Sandstone, and the ammonites and the belemnites of the Lias, that abound in the neighborhood of Cromarty. As years rolled slowly away, he continued his observations, and when at length, in 1841, the results were given to the world in his well known "Old Red Sandstone," every one was charmed with the novelty and beauty of the style, and his reputation as a writer was at once established. Men of science, however, though acknowledging the graphic and elegant diction of his descriptions, had some doubts as to their truthfulness. Indeed, by some geologists they were cast aside as fanciful, and other restorations of the Old Red fishes were proposed and adopted. Those who are acquainted with Old Red ichthyolites, or who have had the pleasure of examining the exquisite series in Mr. Miller's collection, may well smile at the absurdity of the restorations that were adopted. Yet some of these found their way into a work of no little popularity,--Mantell's "Medals of Creation." It is sufficient to state that the drawings there given bear no resemblance to anything in the heavens above or on the earth beneath, or in the waters under the earth, nor to any fossil organism that has ever been discovered. At length the progress of investigation led to the discarding of these monstrosities, and Miller's restorations were returned to, as, after all, the true ones. "The Old Red Sandstone" formed an era in the history of fossil geology. That formation had hitherto been regarded as well nigh barren of organic remains; but Mr. Miller demonstrated that it contains at least three successive stages, each characterized by a suite of uncouth and hitherto unknown fishes. A few years later he published his "Footprints of the Creator." This is undoubtedly his _chef-d'oeuvre_, exhibiting, as it does, the full powers of his massive intellect and his poetic imagination. As a piece of scientific investigation and research, it is of a very high order; as a reply to the crudities of the development theory, it is unanswerable; and as a contribution to our physico-theological literature, it ranks, with Chalmers' "Astronomical Lectures," among the finest in this or any other language.