He was glad that it was Mona who smiled down at him instead of a grand-mother or an aunt. For Mona did smile, and in spite of the cheap crudity the smile was roguish, with little dimply creases at the corners of the mouth, and not at all unpleasant. If the girl would only look like that in real life, he told himself, a fellow would probably get to liking her. He supposed she thought him a greater coward than ever now, just because he hadn't got killed. If he had, he would be a hero now, like Bob. Well, Bob was a hero; the way he had jumped up and begun shooting required courage of the suicidal sort. He had stood up and shot, also and had succeeded only in being ridiculous; he hoped nobody had told Mona about his hitting that steer. When he could walk again he would learn to shoot, so that the range stock wouldn't suffer from his marksmanship.

After a week of seeing only Mrs. Stevens or sympathetic men acquaintances, he began to wonder why Mona stayed so persistently away. Then one morning she came in to take his breakfast things out. She did not, however, stay a second longer than was absolutely necessary, and she was perfectly composed and said good morning in her most impersonal tone. At least Thurston hoped she had no tone more impersonal than that. He decided that she had really beautiful eyes and hair; after she had gone he looked up at the picture, told himself that it did not begin to do her justice, and sighed a bit. He was very dull, and even her companionship, he thought, would be pleasant if only she would come down off her pedestal and be humanly sociable.

The Lure of the Dim Trails — Part 33

When he wrote a story about a fellow being laid up in the same house with a girl--a girl with big, blue-gray eyes and ripply brown hair--he would have the girl treat the fellow at least decently. She would read poetry to him and bring him flowers, and do ever so many nice things that would make him hate to get well. He decided that he would write just that kind of story; he would idealize it, of course, and have the fellow in love with the girl; you have to, in stories. In real life it doesn't necessarily follow that, because a fellow admires a girl's hair and eyes, and wants to be on friendly terms, he is in love with her. For example, he emphatically was not in love with Mona Stevens. He only wanted her to be decently civil and to stop holding a foolish grudge against him for not standing up and letting himself be shot full of holes because she commanded it.

The Lure of the Dim Trails — Part 33