Freeman, for his part, had nothing to complain of. Grace Parsloe was a singularly pretty girl. Singular properly qualifies her. She was not like the others,--by which phrase he epitomized the numerous comely young women whom he had, at various times and in several countries, attended, teased, and kissed. Both physically and mentally, she was very fine-wrought. Her bones were small; her body and limbs were slender, but beautifully fashioned. She was supple and vigorous. Grace is a product of brain as well as an effect of bodily symmetry: Grace had the quality on both counts. She answered to one’s conception of Mahomet’s houris, assuming that the conception is not of a fat person. Her head was small, but well proportioned,--compact as to the forehead, rather broad across the cheek-bones, thence tapering to the chin. Her eyes were blue, but of an Eastern strangeness of shape and setting; they were subject to great and sudden changes of expression, depending, apparently, on the varying state of her emotions, and betraying an intensity more akin to the Oriental temperament than to ours. There was in her something subtle and fierce; yet overlaying it, like a smooth and silken skin, were the conventional polish and bearing of an American school graduate. She was, in deed, noticeably artificial and self-conscious in manner and in the intonations of her speech; though it was an aesthetic delight to see her move or pose, and the quality of her voice was music’s self. But Freeman, after due meditation, came to the conclusion that this was the outcome of her recognition of her own singularity: in trying to be like other people, she fell into caricature. Freeman, somehow, liked her the better for it. Like most men of brain and pith, who have seen and thought much, he was thankful for a new thing, because, so far as it went, it renewed him. It pleased him to imagine that he could, with a word or a look, cause this veil of artifice to be thrown aside, and the primitive passion and fierceness behind it to start forth. He allowed himself to imagine, with a certain satisfaction, that were he to make this young woman jealous she would think nothing of thrusting a dagger between his ribs. Reality,--what a delight it is! The actual touch and feeling of the spontaneous natural creature have been so buried beneath centuries of hypocrisy and humbug that we have ceased to believe in them save as a metaphysical abstraction. But even as water, long depressed under-ground in perverse channels, surges up to the surface, and above it, at last, in a fountain of relief, so Nature, after enduring ages of outrage and banishment, leaps back to her rightful domain in some individual whom we call extraordinary because he or she is natural. Grace Parsloe did not seem (regarded as to her temperament and quality) to belong where she was: therefore she was a delightful incident there. Had she been met with in the days of the Old Testament, or in the depths of Persia or India at the present time, even, she might have appeared commonplace. But here she was in conventional costume, with conventional manners. And, just as the nautch-girls, and other Oriental dancers and posturers, wear a costume which suggests nature more effectively than does nature itself, so did Grace’s conventionality suggest to Freeman the essential absence of conventionality more forcibly than if he had seen her clad in a turban and translucent caftan, dancing off John the Baptist’s head, or driving a nail into that of Sisera. Grace certainly owed much of her importance to her situation, which rendered her foreign and piquante. But, then, everything, in this world, is relative.