[_He places the sonnet upon the altar itself._

If that sonnet does not give me fame, nothing that I have done before will give it to me, nothing that I ever will do.

Plays of Near & Far — Part 51

[_He replaces the screen and returns to his chair at the table. Twilight is coming on. He sits with his elbow on the table, his head on his hand, or however the actor pleases._

Plays of Near & Far — Part 51

Well, well. Fancy seeing Dick again. Well, Dick enjoys his life, so he's no fool. What was that he said? "There's no money in poetry. You'd better chuck it." Ten years' work and what have I to show for it? The admiration of men who care for poetry, and how many of _them_ are there? There's a bigger demand for smoked glasses to look at eclipses of the sun. Why should Fame come to me? Haven't I given up my days for her? That is enough to keep her away. I am a poet; that is enough reason for her to slight me. Proud and aloof and cold as marble, what does Fame care for us? Yes, Dick is right. It's a poor game chasing illusions, hunting the intangible, pursuing dreams. Dreams? Why, we are ourselves dreams.

Plays of Near & Far — Part 51

We are such stuff As dreams are made on, and our little life Is rounded with a sleep.

[_He is silent for a while. Suddenly he lifts his head._

My room at Eton, Dick said. An untidy mess.

[_As he lifts his head and says these words, twilight gives place to broad daylight, merely as a hint that the author of the play may have been mistaken, and the whole thing may have been no more than a poet's dream._

So it was, and it's an untidy mess there (_looking at screen_) too. Dick's right. I'll tidy it up. I'll burn the whole damned heap,

[_He advances impetuously towards the screen._

every damned poem that I was ever fool enough to waste my time on.

[_He pushes back the screen._ FAME _in a Greek dress with a long golden trumpet in her hand is seen standing motionless on the altar like a marble goddess._

[_For a while he stands thunderstruck. Then he approaches the altar._

[_He holds up his hand to her and leads her down from the altar and into the centre of the stage. At whatever moment the actor finds it most convenient, he repossesses himself of the sonnet that he had placed on the altar. He now offers it to_ FAME.

[FAME _takes it and reads it in silence, while the_ POET _watches her rapturously._