Then, one bright day, a 'Power,' watching his hands, conceived the idea of giving him two balls of string, one blue, the other buff, and all that afternoon he stayed up a single tree, and came down with one of his rare sweet smiles and a little net, half blue, half buff, with a handle covered with a twist of Turkey-red twill--such a thing as one scoops up shrimps with. He was paid for it, and his eyes sparkled. You see, he had no money--the '_poilu_' seldom has; and money meant drink, and tobacco in his cheek. They gave him more string, and for the next few days it rained little nets, beautifully if simply made. They thought that his salvation was in sight. It takes an eye to tell salvation from damnation, sometimes.... In any case, he no longer roamed from tree to tree, but sat across a single branch, netting. The 'Powers' began to speak of him as 'rather a dear,' for it is characteristic of human nature to take interest only in that which by some sign of progress makes you feel that you are doing good.
Next Sunday a distinguished doctor came, and, when he had been fed, some one conceived the notion of interesting him, too, in Flotsam. A learned, kindly, influential man--well-fed--something might come of it, even that '_réforme_,' that sending home, which all agreed was what poor Roche needed, to restore his brain. He was brought in, therefore, amongst the chattering party, and stood, dark, shy, his head down, like the man in Millet's 'Angelus,' his hands folded on his cap, in front of his unspeakably buttoned blue baggy trousers, as though in attitude of prayer to the doctor, who, uniformed and grey-bearded, like an old somnolent goat, beamed on him through spectacles with a sort of shrewd benevolence. The catechism began. So he had something to ask, had he? A swift, shy lift of the eyes: 'Yes.' 'What then?' 'To go home.' 'To go home? What for? To get married?' A swift, shy smile. 'Fair or dark?' No answer, only a shift of hands on his cap. 'What! Was there no one--no ladies at home?' '_Ce n'est pas ça qui manque!_' At the laughter greeting that dim flicker of wit the uplifted face was cast down again. That lonely, lost figure must suddenly have struck the doctor, for his catechism became a long, embarrassed scrutiny; and with an: '_Eh bien! mon vieux, nous verrons!_' ended. Nothing came of it, of course. '_Cas de réforme?_' Oh, certainly, if it had depended on the learned, kindly doctor. But the system--and all its doors to be unlocked! Why, by the time the last door was prepared to open, the first would be closed again! So the 'Powers' gave Roche more string--so good, you know, to see him interested in something!... It does take an eye to tell salvation from damnation! For he began to go down now of an afternoon into the little old town--not smelless, but most quaint--all yellowish-grey, with rosy-tiled roofs. Once it had been Roman, once a walled city of the Middle Ages; never would it be modern. The dogs ran muzzled; from a first-floor a goat, munching green fodder, hung his devilish black beard above your head; and through the main street the peasant farmers, above military age, looking old as sun-dried roots, in their dark _pélerines_, drove their wives and produce in little slow carts. Parched oleanders in pots one would pass, and old balconies with wilting flowers hanging down over the stone, and perhaps an umbrella with a little silver handle, set out to dry. Roche would go in by the back way, where the old town gossips sat on a bench in the winter sunshine, facing the lonely cross shining gold on the high hill-top opposite, placed there in days when there was some meaning in such things; past the little '_Place_' with the old fountain and the brown plane-trees in front of the Mairie; past the church, so ancient that it had fortunately been forgotten, and remained unfinished and beautiful. Did Roche, Breton that he was--half the love-ladies in Paris, they say--falsely, no doubt--are Bretonnes--ever enter the church in passing? Some rascal had tried to burn down its beautiful old door from the inside, and the flames had left on all that high western wall smears like the fingermarks of hell, or the background of a Velasquez Crucifixion.