POINT DE LILLE, OR POINT D’HOLLANDE 72 Mesh showing “Esprits” or dots characteristic of this bobbin lace.
END OF A POINT DE PARIS SCARF ABOUT 2½ YARDS LONG ON WHICH COLETTE WORKED ONE YEAR 73
IN THE ABBÉ BERRALY SCHOOL, COLETTE, 16-YEARS OLD, WORKS WITH 1,000 BOBBINS 73
BELGIAN LACE MESHES (Plate I) 80 After Pierre Verhagen in “La Dentelle Belge.”
BELGIAN LACE MESHES (Plate II) 81 After Pierre Verhagen in “La Dentelle Belge.”
BOBBIN LACES 88 Malines, Point de Paris, Valenciennes.
CUSHION COVER REPRESENTING BELGIUM’S GRATITUDE TO AMERICA FOR BREAD 89 Point de Paris lace combined with linen. The lower right-hand centerpiece shows the rose design, emblem of Queen Elizabeth.
BOBBIN LACES 104 Torchon, Cluny, Old Flemish, Binche.
TABLE CLOTH SHOWING ARMS OF THE ALLIES 105 Cut linen with squares of Venise surrounded by filet and cluny; Venise made with the needle; cluny with bobbins.
A “MARIE ANTOINETTE” IN CHANTILLY LACE 128 Made with bobbins, near Grammont.
CUSHION COVER 129 Center Venise, borders Valenciennes, lace executed by 12 workers in one month, embroidery and mounting by four women in two months; design by M. de Rudder.
TEA CLOTH 129 Point de Paris, cock design.
LACE NORMAL SCHOOL, BRUGES. BEGINNER’S CLASS 152 Symbolic color pattern on left-hand easel; demonstration bobbins attached to colored threads at right.
BED COVER IN DUCHESSE OR BRUSSELS LACE 153 Made with bobbins; executed in Flanders by 30 women in three months; design by the Lace Committee.
ROSALINE, WHICH CLOSELY RESEMBLES BRUGES 160
DETAILS FOR BRUGES LACE 160 Made with bobbins on round cushion.
DOILY SET IN POINT DE PARIS IN THE “ANIMALS OF THE ALLIES” DESIGN, EXECUTED AT TURNHOUT 161
POINT DE FLANDRES OR FLANDERS LACE 176 Flowers made with bobbins, mesh with needle; designs by the Lace Committee.
HANDKERCHIEF IN NEEDLE-POINT 177 Made near Alost. Both mesh and flowers made with needle.
DETAIL SHOWING SEVEN DIFFERENT FILLING-IN STITCHES 177
VENISE DESIGNS BY THE BRUSSELS LACE COMMITTEE 180
HANDKERCHIEF AND JEWEL BOXES; FLANDERS AND VENISE OVER SATIN AND VELVET 181
VENISE BANQUET CLOTH PRESENTED BY THE LACE COMMITTEE TO H.M. QUEEN ELIZABETH ON HER RETURN FROM EXILE 192–193 Design by M. de Rudder; executed by 30 best Venise-makers in Belgium in six months.