Just as the point of departure for a play comes to a writer as a kind of unconscious selection from among all possible subjects, so we have seen that story takes shape by a similar process of conscious or unconscious selection till it is something with a beginning, a middle, and an end, and clear. Nor does selection stop here. The very necessary proportioning and emphasizing mean, as we shall see, that the dramatist selects, and again selects.

[3] Drama League Series, Doubleday, Page & Co., New York.

Dramatic Technique — Part 78

[6] Preface, _Au Public_, to _La Princesse Georges_. A. Dumas fils. _Oeuevres_, vol. V, p. 79. Calmann Levy, Paris.

Dramatic Technique — Part 78

[7] _De la Poésie Dramatique._ Diderot. _Oeuvres_, vol. VII, pp. 321-322. Garnier Frères, Paris.

Dramatic Technique — Part 78

[8] _Auteurs Dramatiques. F. de Curel. L'Année Psychologique_, 1874, p. 121.

[9] _Letters of Bulwer-Lytton to Macready_, p. 35. Introduction by Brander Matthews. Privately printed. The Carteret Book Club, Newark, N.J., 1911.

[10] _A False Saint._ F. de Curel. Translated by B. H. Clark. Drama League Series. Doubleday, Page & Co., New York.

[11] _Auteurs Dramatiques. F. de Curel. L'Année Psychologique_, 1894, pp. 121-123.

[12] _Play-Making_, pp. 58-59, note. William Archer. Small, Maynard & Co., Boston.

[13] See chapter X, "The Dramatist and His Public."

[15] _My Best Play._ Edgar Selwyn. _The Green Book Magazine_, March, 1911, pp. 536-537.

[17] _Les Oberlé._ Edmond Haraucourt. _L'Illustration Théâtrale_, Dec. 9, 1905, p. 5.

[19] _Plays of Thomas Middleton._ Mermaid Series. Chas. Scribner's Sons, New York.

[20] _Chefs-d'Oeuvres Dramatiques de A. N. Ostrovsky._ E. Durand-Gréville. E. Plon Nourrit et Cie, Paris.

[21] _Becket_, Act I, Scene 4. Alfred Lord Tennyson. The Macmillan Co., New York.

[22] _Letters of Bulwer-Lytton_, p. 38. Brander Matthews, ed.

[23] _Plays of Thomas Dekker._ Mermaid Series. Chas. Scribner's Sons, New York.

[24] A. F. Lange, ed. Mayer & Müller, Berlin.

[25] _Letters of Bulwer-Lytton_, pp. 36-37. Brander Matthews, ed.

[26] Preface, _Au Public_, to _La Princesse Georges_. _Oeuvres_, vol. V. p. 78. Calmann Lévy, Paris.

[27] Preface to _Le Supplice d'une Femme_. _Oeuvres_, vol. V. Calmann Lévy, Paris.

[28] Walter H. Baker & Co., Boston; W. Heinemann, London.

[30] _Seven Short Plays._ Maunsel & Co., Dublin.