Had Christianity or any other religion had its basis in literary or philosophical allegories, it would never have become a religion, because the poetry of it would never have been interwoven with the figures and events of real life. No tomb, no relic, no material miracle, no personal derivation of authority, would have existed to serve as the nucleus of devotion and the point of junction between this world and the other. The origin of Christian dogma lay in historic facts and in doctrines literally meant by their authors. It is one of the greatest possible illusions in these matters to fancy that the meaning which we see in parables and mysteries was the meaning they had in the beginning, but which later misinterpretation had obscured. On the contrary--as a glance at any incipient religious movement now going on will show us--the authors of doctrines, however obvious it may be to every one else that these doctrines have only a figurative validity, are the first dupes to their own intuitions. This is no less true of metaphysical theories than of spontaneous superstitions: did their promulgator understand the character of their justification he would give himself out for a simple poet, appeal only to cultivated minds, and never turn his energies to stimulating private delusions, not to speak of public fanaticisms. The best philosophers seldom perceive the poetic merit of their systems.

So among the ancients it was not an abstract observation of Nature, with conscious allegory supervening, that was the origin of mythology, but the interpretation was spontaneous, the illusion was radical, a consciousness of the god's presence was the first impression produced by the phenomenon. Else, in this case too, poetry would never have become superstition; what made it superstition was the initial incapacity in people to discriminate the objects of imagination from those of the understanding. The fancy thus attached its images, without distinguishing their ideal locus, to the visible world, and men became superstitious not because they had too much imagination, but because they were not aware that they had any.

Interpretations of Poetry and Religion — Part 54

In what sense, then, are we justified in saying that religion expresses moral ideals? In the sense that moral significance, while not the source of religions, is the criterion of their value and the reason why they may deserve to endure. Far as the conception of an allegory may be from the minds of prophets, yet the prophecy can only take root in the popular imagination if it recommends itself to some human interest. There must be some correspondence between the doctrine announced or the hopes set forth, and the natural demands of the human spirit. Otherwise, although the new faith might be preached, it would not be accepted. The significance of religious doctrines has therefore been the condition of their spread, their maintenance, and their development, although not the condition of their origin. In Darwinian language, moral significance has been a spontaneous variation of superstition, and this variation has insured its survival as a religion. For religion differs from superstition not psychologically but morally, not in its origin but in its worth. This worth, when actually felt and appreciated, becomes of course a dynamic factor and contributes like other psychological elements to the evolution of events; but being a logical harmony, a rational beauty, this worth is only appreciable by a few minds, and those the least primitive and the least capable of guiding popular movements. Reason is powerless to found religions, although it is alone competent to judge them. Good religions are therefore the product of unconscious rationality, of imaginative impulses fortunately moral.

Interpretations of Poetry and Religion — Part 54