[Illustration: Fig. 26.--Interior of the Basilica, looking toward the tribunal, restored.]

The tribunal at the rear is the most prominent and architecturally the most effective portion of the building. The base is treated in a bold, simple manner; upon it, at the front, stands a row of columns the lower portions of which show traces of latticework. The decoration of the walls, like that of the rest of the interior, imitates a veneering of colored marbles. The shape and comparatively narrow dimensions of the elevated room indicate that we have here a tribunal in the strict sense, a raised platform for the judge and his assistants; in the basilicas provided with apses the latter were large enough to make room both for the judicial body and for the litigants. Here the litigants stood on the floor in front of the tribunal, and when court was in session the general public must have been excluded from this part of the corridor. The arrangement in this respect was far from convenient, but seemingly convenience was sacrificed to aesthetic considerations; the builders wished to treat the projecting front of the tribunal as an ornament to the building.

Pompeii, Its Life and Art — Part 70

[Illustration: Fig. 27.--Front of the tribunal--plan and elevation.]

Pompeii, Its Life and Art — Part 70

Under the tribunal was a vaulted chamber half below the level of the ground; two round holes, indicated on the plan, opened into it from above. It could hardly have been designed as a place for the confinement of prisoners; escape would have been easy by means of two windows in the rear, especially when help was rendered from the outside. More likely it was used, in connection with the business of the court, as a storeroom, in which writing materials and the like, or even documents, might be kept; they could easily have been passed up through the holes when needed. The second story of the tribunal was not as completely open to the main hall as the first. Its front, the remains of which have for the most part been recovered, was divided off by half-columns corresponding in number and arrangement with the columns of the first story, but each half-column was flanked by narrow pilasters, while a parapet of moderate height occupied the intervening spaces. It was built apparently with a view to architectural effect rather than practical use (Fig. 27).

Pompeii, Its Life and Art — Part 70