It seems reasonable to look to the literary and artistic people themselves for a little guidance in this matter. Well, we had in the nineteenth century an absolute revolt of artists against Individualism. The proportion of open and declared Socialists among the great writers, artists, playwrights, critics, of the Victorian period was out of all proportion to the number of Socialists in the general population. Wilde in his _Soul of Man under Socialism_, Ruskin in many volumes of imperishable prose, Morris in all his later life, have witnessed to the unending protest of the artistic spirit against the rule of gain. Some of these writers are not, perhaps, to be regarded as orthodox Socialists in the modern sense, but their disgust with and contempt for Individualist competition is entirely in the vein of our teaching.
Even this Individualistic country of ours, after the shameful shock of the Great Exhibition of 1851, decided that it could no longer leave art to private enterprise, and organized that systematic government Art Teaching that has, in spite of its many defects, revolutionized the æsthetic quality of this country. And so far as research and invention go, one may very reasonably appeal to such an authority on the other side, as the late Mr. Beit, of Wernher Beit & Co. The outcome of his experience as an individualist financier was to convince him that the only way to raise the standard of technical science in England, and therewith of economic enterprise, was by the endowment of public teaching, and the huge "London Charlottenburg" rises--out of his conviction. Even Messrs. Rockefeller and Carnegie admit the failure of Individualism in this matter by pouring money into public universities and public libraries. All these heads of the commercial process confess by such acts just exactly what this objection of the inexperienced denies, that is to say the power of the State to develop art, invention and knowledge; the necessity that this duty should be done if not by, then at any rate through, the State.
Socialism may very seriously change the direction of intellectual and æsthetic endeavour; that one admits. But there is no reason whatever for supposing it will not, and there are countless reasons for supposing that it will, enormously increase the opportunities and encouragements for æsthetic and intellectual endeavour.