"'Or ever the knightly years had gone With the old world to the grave, I was a king in Babylon And you were a Christian slave.'"

"Yes, only I was the slave, I think, and you--er--I mean, there goes the roof, and it is an uncommonly good thing for posterity you thought of the trap-door. Good thing the wind is veering, too. By Jove! look at those flames!" I cried, as the main body of the Continental toppled inward like a house of cards; "they are splashing, actually splashing, like waves over a breakwater!"

The Cords of Vanity — Part 72

I drew a deep breath and turned from the conflagration, only to encounter its reflection in her widened eyes. "Yes, I was a Trojan warrior," I resumed; "one of the many unknown men who sought and found death beside Scamander, trodden down by Achilles or Diomedes. So they died knowing they fought in a bad cause, but rapt with that joy they had in remembering the desire of the world and her perfect loveliness. She scarcely knew that I existed; but I had loved her; I had overheard some laughing words of hers in passing, and I treasured them as men treasure gold. Or she had spoken, perhaps--oh, day of days!--to me, in a low, courteous voice that came straight from the back of the throat and blundered very deliciously over the perplexities of our alien speech. I remembered--even as a boy, I remembered."

The Cords of Vanity — Part 72

She cast back her head and laughed merrily. "I reckon," said she, "you are still a boy, or else you are the most amusing lunatic I ever met."

The Cords of Vanity — Part 72

"No," I murmured, and I was not altogether playacting now, "that tale about Polyxo was a pure invention. Helen--and the gods be praised for it!--can never die. For it is hers to perpetuate that sense of unattainable beauty which never dies, which sways us just as potently as it did Homer, and Dr. Faustus, and the Merovingians too, I suppose, with memories of that unknown woman who, when we were boys, was very certainly some day, to be our mate. And so, whatever happens, she

"Abides the symbol of all loveliness, Of beauty ever stainless in the stress Of warring lusts and fears.

"For she is to each man the one woman that he might have loved perfectly. She is as old as youth, she is more old than April even, and she is as ageless. And, again like youth and April, this Helen goes about the world in varied garments, and to no two men is her face the same. Oh, very often she transmutes her fleshly covering. But through countless ages I, like every man alive, have followed her, and fought for her, and won her, and have lost her in the end,--but always loving her as every man must do. And I prefer to think that some day--" But my voice here died into a whisper, which was in part due to emotion and partly to an inability to finish the sentence satisfactorily. The logic of my verses when thus paraphrased from memory, seemed rather vague.