There are seldom more than two kinds of flowering plants placed here at a time; the two or three sorts of beautiful foliage are in themselves delightful to the eye; often there is nothing with them but Lilies, and one hardly desires to have more. There is an ample filling of the green plants, so that no pots are seen.

If the place were in the sun the plants chosen would be largely Geraniums; two-year-old plants in good-sized pots; and, in place of the Ferns that enjoy shade and the Funkias whose leaves often burn in the sun, there would be the large leaved _Megasea cordifolia_. Here also would be Lilies, Hydrangeas and Cannas, and good store of the graceful Maiden's Wreath (_Francoa ramosa_).

Colour in the flower garden — Part 60

The Geraniums would be very carefully assorted for colour; in one part of the scheme white and soft pink, in another the rosy scarlets, and elsewhere the salmon-reds, now so numerous and good. The last two groups might by degrees tone into the pure scarlets, of which the best I know and the most delightful in colour is Paul Crampel. The colour is pure and brilliant but not _cruel_. I can think of no other word that so well describes some scarlets of a harsh quality that gives discomfort rather than satisfaction to a sensitive colour-eye. Henry Jacoby is to me one of the cruel reds and has no place among my flowers. I have no desire to disparage a plant which is so general a favourite, but feel sure that its popularity is a good deal owing to the fact that the main gardening public is inclined rather to accept what is put before it than to take the trouble to search for something better. Although the colour of this Geranium is extremely vivid, a whole bed of it has a heavy appearance and is wanting in pictorial effect.

Colour in the flower garden — Part 60

I have great pleasure in putting together Omphale, palest salmon-pink; Mrs. Laurence, a shade deeper; Mrs. Cannell, a salmon-scarlet approaching the quality of colour of Phlox Coquelicot, and leading these by degrees to the pure, good scarlet of Paul Crampel. A bed or clump or border planted with these, or varieties equivalent in colour, would be seen to have, in comparison with a bed of Henry Jacoby, a quite remarkable degree of life, brilliancy, beauty and interest. The colouring would be actually brighter and yet more kind and acceptable to the eye.

Colour in the flower garden — Part 60