The circular corridor of the rotunda is surmounted by the Muses and other figures typical of the future purposes of the building. The rotunda-walls are themselves castellated, the towers being interplaced with windows of Saracenic arched form. The béton pavement of the corridors and balcony is made of annular fragments, facets upward, of black, red, white and slate-colored marbles, feldspar and other stones. It is as hard as natural rock and as smooth as half-polished marble. A tessellated fret pattern is made along the borders of the corridor floor, consisting of triple rows of smooth cubes of marble inserted in the cement. The square balusters are of red-mottled marble, with base and entablature of dull rose. The square corner pillars support figures allegorizing the six divisions of the earth.

The vestibules at the sides of the tower are open east and west for the passage to and from the garden, and at the sides have doors which admit to the Grande Salle and the flanking galleries respectively. The interior red scagliola columns of the vestibule are in pairs, with white bases and capitals, the latter combining the lotus-leaf with the volute. The soffits of the ceiling have panels of yellow with orange border, contrasting with iron beams painted a chocolate brown.

Lippincott's Magazine, Vol. 22, August, 1878 — Part 20

The uniformity of the long and curved colonnades which form the wings of the building is broken by square porticoes, which have entrances to the galleries and small terraces in front, with steps leading to the garden. The wall back of the white pillars of this long promenade is painted of a warm but not glaring red. The roof is of tile and skylight. The base of the colonnade beneath the balustrade and pillars is a rough concrete wall hidden by a sloping bank of evergreens, upon which the eye rests pleasantly amid so much wall-space and architectural decoration.

Lippincott's Magazine, Vol. 22, August, 1878 — Part 20

In front of the corridor of the rotunda is a projecting balcony, with six gigantic female figures on the corners of its balustrade representing Europe, Asia, North and South America, Africa and Australia. These statues are of metal gilt, and typify by countenance and accompanying emblems the portions of the globe they represent. Europe is an armed figure with sword: at her side are the caduceus, olive-branch, books and easel. Asia has a spear and a couch with elephant heads. Africa is a negress, with the characteristic grass-rope basket containing dates. North America is an Indian, but the civilization of the land is indicated by an anchor, beehive and cog-wheel. Australia is a gin, with a waddy, boomerang and kangaroo. South America sits on a cotton-bale, has a condor by her side, and at her feet are tropical fruits--pineapples, bananas and brazil-nuts.

Lippincott's Magazine, Vol. 22, August, 1878 — Part 20