The Convent de la Merced used to possess a good library, and many precious manuscripts of Indian antiquity; but the superstitious ignorance of the monks allowed it to fall into decay, and documents of highest interest to the historian and archæologist were used as waste-paper or consigned to the flames.
The choir of this church had one hundred seats of carved oak, and was considered one of the finest in the world. The Government is converting the church into a library, which, when completed, is expected to be one of the finest monuments of the city.
Among buildings of public usefulness, the School of Mines, El Salto del Agua, Chapultepec Military College, the Art Academy, and the Museum may be mentioned.
[Illustration: EL SALTO DEL AGUA (FOUNTAIN).]
El Salto del Agua—Netzahualcoyotl—Noche triste—Historical Jottings—Chapultepec—Indians—Chinampas—Legends—Anecdote—Mexican Museum—Tizoc’s Stone, or Gladiator’s Stone—Yoke and Sacrificial Stone—Holy War—Religious Cannibalism—American Copper.
El Salto del Agua is the only monumental fountain in Mexico; it stands in the centre of a low suburb removed from the chief thoroughfares, and terminates the aqueduct which brings from Chapultepec (“grasshopper’s hill”) an abundant supply of water to Mexico. El Salto del Agua is an oblong building, with a very mediocre façade; a wide spread-eagle in the centre supports the escutcheon bearing the arms of the city. On each side twisted columns with Corinthian capitals bear two symbolical figures, representing Europe and America, besides eight half-broken vases.
According to historians of the conquest, El Salto del Agua, and the Aqueduct which it terminates, replaced the ancient aqueduct of Montezuma, constructed by Netzahualcoyotl, King of Tezcuco, between the years 1427 and 1440. At that time it was brought through an earthen pipe to the city, along a dyke constructed for the purpose, and that there might be no failure in so essential an article, a double course of pipes in stone and mortar was laid. In this way a column of water the size of a man’s body was conducted into the heart of the capital, where it fed fountains and reservoirs of the principal mansions.[8]
Since the name of Netzahualcoyotl has been mentioned, it may not be out of place to give a brief account of a prince whose accomplishments, character, and adventurous life, would make him a fit hero for romance rather than the subject of sober history. He was descended from the Toltecs, of whom we shall speak later. He ruled over the Acolhuans or Tezcucans, as they were generally called, a nation of the same family as the Aztecs, whom it preceded on the plateau, and whom it rivalled in power and surpassed in intellectual activity. He was himself at once king, poet, philosopher, and lawgiver, and was a munificent patron of letters, and _Tezcuco_ was, in his time, the meeting-place of all that was intelligent in Anahuac, as was Athens in the days of Pericles, Florence and Rome under the Medicis. Netzahualcoyotl held a conspicuous place among the bards of Anahuac, for the tender pathos of his verse, the elegance and rich colouring of his style, and the tinge of melancholy which pervades most of his writings. His large and enlightened mind could not accept the superstitions of his countrymen, still less the sanguinary rites of the Aztecs; his humane temper shrank from their cruel rites, and he endeavoured to recall his people to the more pure and simple worship of their forefathers. But he shared the fate of men far in advance of their time, and had to yield before their ignorance and fanaticism, contenting himself with publicly avowing his faith and nobler conception of the deity. He built a temple in the usual pyramidal form, to the “_Unknown God, the Cause of Causes_.”