The faintest little whine from Josephus aroused him. It was long past the dinner hour, and racing the sands is exceedingly hungry work.

Antony's eyes came back from the window. His face was rather white, and his mouth set in a straight line. But there was an oddly triumphant look in his eyes.

Antony Gray,--Gardener — Part 60

"I think a meal will do us both good, old man," he said with a little whimsical smile. And he began getting down plates from the dresser.

Antony Gray,--Gardener — Part 60

Some fifteen or more years ago, the gardens of Chorley Old Hall were famous for their beauty. They still deserved to be famous, and the reason that they were so no longer, arose merely from the fact that they had become unknown, had sunk into obscurity, since no one but the actual inmates of the Hall, Doctor Hilary, and the gardeners themselves ever set eyes on them.

Antony Gray,--Gardener — Part 60

Yet Golding, being an artist at heart, cared for them for pure love of the work, rather than for any kudos such care might bring him. Had he read poetry with as great diligence as he read works on horticulture, he would possibly have declared his doctrine to be found in the words:--

Work thou for pleasure, paint, or sing or carve The thing thou lovest, though the body starve. Who works for glory misses oft the goal, Who works for money coins his very soul. Work for the work's sake, and it may be That these things shall be added unto thee.

Certain it is that the gardens under his care were as beautiful as gardens may be. Where trimness was desirable, they were as neat, as well-ordered, as stately as some old-world lady; where nature was allowed fuller sway, they luxuriated in a very riot of mad colour,--pagan, bacchanalian almost, yet in completest harmony, despite the freedom permitted.

Before the house, beyond a rose-embowered terrace, a wide lawn, soft as thickest velvet, terminated in two great yews, set far apart, a sundial between them, and backgrounded by the sea and sky. To right and left were flower borders brilliant in colour, against yew hedges. Still farther to the right was the Tangle Garden, where climbing roses, honeysuckle, and clematis roamed over pergolas and old tree stumps at their own sweet will and fancy. Beyond the yew hedge on the left was another garden of yews, and firs, and hollies. A long avenue ran its full length while white marble statues, set on either side, gleamed among the darkness of the trees. The end of the avenue formed a frame for an expanse of billowing moorland, range upon range of hills, melting from purple into pale lavender against the distant sky.