Nevertheless, we were not to be seduced from our desire to study the Flamenco, and for the purpose of continuing that study I had been looking out for a laud which is peculiarly adapted to the music, much of which was composed originally upon this instrument. Hitherto I had been unable to find an instrument which I had liked, for the ordinary lute is queer in shape and rather harsh in quality. But the plumber-maestro in Alverca had lent me an instrument--a laud of simpler form and sweeter tone, called a sonora--which pleased me.

Jan going into Emilio's shop had found there a newly completed sonora, very like that of the little maestro's, but better in quality. He engaged Emilio to keep it till we returned, and Emilio said he would bring the Professor down to play it for us to show off its qualities. On the evening of the day on which we came back to Murcia we went to Emilio's shop. The chairs were all set in their prim semicircle and Emilio, round-shouldered and heavy-faced, sat us down while he expatiated on the excellence of the workmanship and the beauty of the tone of his instrument. He demanded sixty pesetas for the instrument, but said that we might possibly come to some friendly arrangement over the price, as he was trying to popularize this form of laud. The little Professor came in. He was a strange man. He was extremely emaciated, with one eye destroyed and almost blind in the other, dressed in _outré_ style as though he were acting as jockey in an impromptu charade. His flexible hands seemed almost translucent in their delicacy. He at once addressed us with such rapidity of speech that we were unable to understand what he said (though our understanding of Spanish had made great progress), and he was extremely irritable with us for seeming so stupid. This frail, delicate, peering thing was a queer contrast to the burly, almost clumsy form of Emilio.

Poor Folk in Spain — Part 99

The little Professor picked up the sonora, and passed it backwards and forwards slowly beneath his short-sighted eye. He sat down and played. His nimble fingers ran up and down the strings. We had almost decided to begin the delicate matter of bargaining when a fat form, white-waist-coated, straw hat perched jauntily over an Egyptian face, showed itself in the doorway. It was Blas. And Blas was drunk. He bowed in an heroic manner to me, shook hands in simulated affection with Jan; and, his soul obviously consumed with jealousy, greeted the little Professor, who returned his salutation with coldness.

Poor Folk in Spain — Part 99