APOLLO AND THE MOUSE.

Why is Apollo, especially the Apollo of the Troad, he who showered the

darts of pestilence among the Greeks, so constantly associated with a

mouse? The very name, Smintheus, by which his favourite priest calls on

him in the 'Iliad' (i. 39), might be rendered 'Mouse Apollo,' or 'Apollo, Lord of Mice.' As we shall see later, mice lived beneath the altar, and were fed in the holy of holies of the god, and an image of a mouse was placed beside or upon his sacred tripod. The ancients were puzzled by these things, and, as will be shown, accounted for them by 'mouse-stories,' Σμινθιακοι λοyοι, so styled by Eustathius, the mediæval interpreter of Homer. Following our usual method, let us ask whether similar phenomena occur elsewhere, in countries where they are intelligible. Did insignificant animals elsewhere receive worship: were their effigies elsewhere placed in the temples of a purer creed? We find answers in the history of Peruvian religion.

Custom and Myth/Apollo and the Mouse

After the Spanish conquest of Peru, one of the European adventurers, Don

Garcilasso de la Vega, married an Inca princess. Their son, also named

Garcilasso, was born about 1540. His famous book, 'Commentarias Reales,'

contains the most authentic account of the old Peruvian beliefs. Garcilasso was learned in all the learning of the Europeans, and, as an Inca on the mother's side, had claims on the loyalty of the defeated race. He set himself diligently to collect both their priestly and popular traditions, and his account of them is the more trustworthy as it coincides with what we know to have been true in lands with which Garcilasso had little acquaintance.

Custom and Myth/Apollo and the Mouse

To Garcilasso's mind, Peruvian religion seems to be divided into two

periods—the age before, and the age which followed the accession of the

Incas, and their establishment of sun-worship as the creed of the State. In the earlier period, the pre-Inca period, he tells us 'an Indian was not accounted honourable unless he was descended from a fountain, river, or lake, or even from the sea, or from a wild animal, such as a bear, lion, tiger, eagle, or the bird they call cuntur (condor), or some other bird of prey.' To these worshipful creatures 'men offered what they usually saw them eat' (i. 53). But men were not content to adore large and dangerous animals. 'There was not an animal, how vile and filthy soever, that they did not worship as a god,' including 'lizards, toads, and frogs.' In the midst of these superstitions the Incas appeared. Just as the tribes claimed descent from animals, great or small, so the Incas drew their pedigree from the sun, which they adored like the gens of the Aurelii in Rome. Thus every Indian had his pacarissa, or, as the North American Indians say, totem, a natural object from which he claimed descent, and which, in a certain degree, he worshipped. Though sun-worship became the established religion, worship of the animal pacarissas was still tolerated. The sun-temples also contained huacas, or images, of the beasts which the Indians had venerated. In the great temple of Pachacamac, the most spiritual and abstract god of Peruvian faith, 'they worshipped a she-fox and an emerald. The devil also appeared to them, and spoke in the form of a tiger, very fierce.' This toleration of an older and cruder, in subordination to a purer, faith is a very common feature in religious evolution. In Catholic countries, to this day, we may watch, in Holy Week, the Adonis feast described by Theocritus, and the procession and entombment of the old god of spring.

Custom and Myth/Apollo and the Mouse

'The Incas had the good policy to collect all the tribal animal gods into

their temples in and round Cuzco, in which the two leading gods were the

Master of Life, and the Sun.' Did a process of this sort ever occur in

Greek religion, and were older animal gods ever collected into the

temples of such deities as Apollo?