It is possible then to overdo moral criticism, and to cheat ourselves out of both pleasure and profit by narrowing our sympathies, and by applying modern or national standards to men of other ages and of another race. Instead of realizing, with Carlyle, that eminence of any kind is a most wholesome thing to contemplate and to revere, we are perpetually longing for some crucial test which will divide true heroism--as we now regard it--from those forceful qualities which the world has hitherto been content to call heroic. I have heard people gravely discuss the possibility of excluding from histories, from school histories especially, the adjective “great,” wherever it is used to imply success unaccompanied by moral excellence. Alfred the Great might be permitted to retain his title. Like the “blameless Ethiops,” he is safely sheltered from our too penetrating observation. But Alexander, Frederick, Catherine, and Louis should be handed down to future ages as the “well-known.” Alexander the Well-Known! We can all say that with clear consciences, and without implying any sympathy or regard for a person so manifestly irregular in his habits, and seemingly so devoid of all altruistic emotions. It is true that Mr. Addington Symonds has traced a resemblance between the Macedonian conqueror, and the ideal warrior of the Grecian camp, Achilles the strong-armed and terrible. Alexander, he maintains, is Achilles in the flesh; passionate, uncontrolled, with an innate sense of what is great and noble; but “dragged in the mire of the world and enthralled by the necessities of human life.” The difference between them is but the difference between the heroic conception of a poet and the stern limitations of reality.

Apart, however, from the fact that Mr. Symonds was not always what the undergraduate lightly calls “up in ethics,” it is to be feared that Achilles himself meets with scant favor in our benevolent age. “Homer mirrors the world’s young manhood;” but we have grown old and exemplary, and shake our heads over the lusty fierceness of the warrior, and the facile repentance of Helen, and the wicked wiles of Circe, which do not appear to have met with the universal reprobation they deserve. On the contrary, there is a blithe good-temper in the poet’s treatment of the enchantress, whose very name is so charming it disarms all wrath. Circe! The word is sweet upon our lips; and this light-hearted embodiment of beauty and malice is not to be judged from the bleak stand-point of Salem witch-hunters. If we are content to take men and women, in and out of books, with their edification disguised, we may pass a great many agreeable hours in their society, and find ourselves unexpectedly benefited even by those who appear least meritorious in our eyes. A frank and generous sympathy for any much maligned and sorely slandered character,--such, for instance, as Graham of Claverhouse; a candid recognition of his splendid virtues and of his single vice; a clear conception of his temperament, his ability, and his work,--these things are of more real service in broadening our appreciations, and interpreting our judgments, than are a score of unqualified opinions taken ready-made from the most admirable historians in Christendom. It is a liberal education to recognize, and to endeavor to understand any form of eminence which the records of mankind reveal.

In the Dozy Hours — Part 63