Eleanor Rainsfield, who, as already introduced to the reader as Mr. Rainsfield's cousin, was the daughter of that gentleman's deceased uncle, who had early emigrated, with a newly-married wife, to the colony. He was by profession a medical man, and for many years during his early residence in the country, pursued his avocation profitably; but in the midst of an extending practice he lost his wife, to whom he was fondly and devotedly attached. The effect of this blow he never thoroughly got over, but gradually became in every respect an altered man. From one of unflinching energy and firm determination, he degenerated into a desponding, weak, and vacillating imbecile; and lingered on in a mental aberration for some two years, when he died. During the period of his distraction it is not surprising that his practice rapidly declined, and ultimately became completely destroyed; hence, upon his demise, his family were left perfectly destitute.
From the time of her mother's death Eleanor became the director of all the family affairs, and the domestic responsibility gave her an appearance of thoughtfulness and care hardly consistent with one so young; while the effects still adhering to her, her manner seemed to retain an habitual reserve and melancholy. At the period of her introduction to John Ferguson she was about sixteen; her figure, though not absolutely slender, was light and active, and of that altitude which, in women, would be considered the medium; not so short as to appear little, nor so tall but that she could look up to a man of ordinary stature. Her form was well modelled, and rounded off to perfection. Her shoulders were of that description so generally fashioned by the chisel of the sculptor, though, possibly, they were rather a shade too broad; being such as would give the beholder the idea of the owner, when more matured, of being a "fine woman." Her movements were effected with a native grace, at once denoting the lady; and her elasticity of tread, and firmness of step, were only equalled by her loftiness of carriage. Her face was of the oval form, with a wide marble forehead (which, but for her winning modesty and gentle manner, would have been considered as bearing the stamp of coldness and hauteur); eyebrows so well defined, as almost to give an idea of pencilling; deep blue lustrous eyes, protected by long lashes; a nose slightly tending to the aquiline; a mouth of enticing sweetness, and an alabaster cheek, almost imperceptibly tinged with the faintest pink. Her hair of "bonny brown," and of which she had a luxuriant crop, was worn slightly off the cheek. Her dress was neatness and elegance combined; so made as to come up to the throat, and there terminate in a neat open collar; under which was a pink ribbon, contrasting pleasingly with the otherwise pale-looking features of the wearer. Her sleeves ended in a band, which encircled her wrists, and displayed a pair of hands, rivalling in symmetry the choicest sculpture, and in whiteness the calico on which she was industriously employing herself. Her features, though not perfect, were calm and beautifully expressive, and the lustre of her complexion at once struck the beholder with admiration; while, to her, affectation being unknown, the easy confidence with which she approached and welcomed a stranger, rendered her perfectly bewitching; and to this description we may add, that, though in the florescence of youth, she was in the full bloom of womanhood.