The standard histories, technical works of science, and even Shakespeare's plays and Milton's "Paradise Lost," are sealed books to a larger portion of every community than are willing to acknowledge the fact. "When a Boy," said John Quincy Adams, "I attempted ten times to read Milton's 'Paradise Lost.' I was mortified, even to the shedding of tears, that I could not conceive what it was that my father and mother so much admired in that book. I smoked tobacco and read Milton at the same time, and for the same motive: to find out what was the recondite charm in them that gave my father so much pleasure. After making myself sick four or five times with smoking, I mastered that accomplishment; but I did not master Milton. I was nearly thirty years of age when I first read 'Paradise Lost' with delight and astonishment."
If our objectors mourn over the standard of books which are read by the public, they may be consoled by the fact that, as a rule, people read books better than themselves, and hence are benefited by reading. A book of a lower intellectual or moral standard than the reader's is thrown aside in disgust, to be picked up and read by a person still lower in the scale of mental and moral development.
I do not lament, or join in the clamor sometimes raised, over the statistics of prose fiction circulated at public libraries. Why this lamentation over one specific form of fiction? The writers of such prose fiction as is found in our libraries were as eminent and worthy men and women as the writers of poetical fiction, dramatic fiction, or, I might add, the fiction which passes in the world as history and biography. History professes to relate actual events, biography to describe actual lives, and science to unfold and explain natural laws and physical phenomena. Fiction treats these and other subjects, mental, moral, sentimental, and divine, from an ideal or artistic standpoint; and the great mass of readers prefer to take their knowledge in this form. More is known to-day of the history and traditions of Scotland, and of the social customs of London, from the novels of Sir Walter Scott and Charles Dickens than from all the histories of those localities. Fiction is the art element in literature, and the most enduring monuments of genius in the literature of any people are works of the imagination.