René remembered the old beau whom he had once met at her house, with his military bearing, his red, bloated face, and his grey hair. And then he saw her as she had looked only that morning, so fair, so white, so dainty--with her pale blue eyes and that peculiar air of refinement that lent an almost ideal charm to her most passionate embraces. Was it possible that such vile calumnies could have been spread concerning this woman! 'People are too horribly wicked!' exclaimed René aloud. 'And as for Claude----' His affection for him had been so sincere, and it was this man, his dearest friend, who had spoken of Suzanne in such a shameless manner, like a blackguard and a traitor. What a contrast with the poor angel thus insulted, who, knowing it, had taken no further revenge than to say, 'I have forgiven him!' On every other occasion when she had spoken of Claude it had been to admire him for his talents and to pity him for his faults. Another phrase of Suzanne's suddenly struck him. 'That is no reason why he should revenge himself by forcing his attentions upon any woman chance throws in his way. I got quite angry one day when he was seated next to me at table.' 'That is the reason!' said the poet to himself with returning anger; 'he has paid her attentions which she has repelled, and so he slanders her. It is too disgusting!'

A prey to these painful reflections, René had walked as far as the Place de l'Opéra, and, mechanically turning to the right, had ascended the boulevard without really noticing where he was. Hatred and rancour were so repugnant to his soul that these feelings were soon supplanted by the love he bore the beautiful woman so basely reviled by the vindictive actress. What was she doing at that moment? She was yonder, in a box at the Gymnase, obliged to sit out some play with her husband, and, no doubt, sadly dreaming of their love and their last kisses. No sooner had he conjured up her adorable image than he was seized with an instinctive and irresistible longing to see her in the flesh. He hailed a passing cab and gave the driver the name of the theatre. How often had he been similarly tempted to go to some place of amusement when he knew Suzanne would be there! But having given his mistress a promise that he would not do so, he had always scrupulously repelled the temptation. Besides, he took a curious pleasure in dwelling upon the absolute distinction between the two Suzannes--between the woman of fashion and his simple love--above all, he feared to meet Paul Moraines. He had read Ernest Feydeau's 'Fanny,' and was more afraid of the terrible jealousy described in that fine work than of death itself. To an analytical writer, like Claude, this would have been an excellent reason for seeking an encounter with the husband, so as to have a new kind of wound to examine under the microscope. The poets who have not turned their art into a trade nor their hearts into a raree-show are possessed of an instinct which makes them avoid such degrading experiments; they respect the beauty of their own feelings.

A Living Lie — Part 147