As soon, however, as Lady Mabel caught sight of the palmer, she was struck by the strong resemblance he bore to her first husband; and this impression was quickly followed by bewilderment when the mysterious stranger handed to her a ring which he affirmed had been given him by Sir William, in his dying moments, to bear to his wife at Haigh Hall.
In a moment Lady Mabel's thoughts travelled back into the distant past, and she burst into tears as the ring brought back the dear memories of bygone days. It was in vain she tried to stifle her feelings, and, as her second husband--the Welsh Knight--looked on and saw how distressed she was, "he grew," says the old record, "exceeding wroth," and, in a fit of jealous passion, struck Lady Mabel.
This ungallant act was the climax of the painful scene, for there and then Sir William threw aside his disguise, and hastened to revenge the unchivalrous conduct of the Welsh knight. Completely confounded at this unexpected turn of events, and fearing violence from Sir William, the Welsh knight rode off at full speed, without waiting for any explanation of the matter. But he was overtaken very speedily and slain by his opponent, an offence for which Sir William was outlawed for a year and a day; while Mabel, his wife, "was enjoined by her confessor to do penance by going once every week, barefoot and bare legged, to a cross near Wigan, popularly known as Mab's Cross.[49]
In Wigan Parish Church, two figures of whitewashed stone preserve the memory of Sir William Bradshaigh and his Lady Mabel, he in an antique coat of mail, cross-legged, with his sword, partly drawn from the scabbard, by his left side, and she in a long robe, veiled, her hands elevated and conjoined in the attitude of fervent prayer. Sir Walter Scott informs us that from this romance he adopted his idea of "The Betrothed," "from the edition preserved in the mansion of Haigh Hall, of old the mansion house of the family of Bradshaigh, now possessed by their descendants on the female side, the Earls of Balcarres."[50]
[Illustration: LADY MABEL AND THE PALMER.]
Scottish tradition ascribes to the Clan of Tweedie a descent of a similar romantic nature. A baron, somewhat elderly, had wedded a buxom young wife, but some months after their union he left her to ply the distaff among the mountains of the county of Peebles, near the sources of the Tweed. After being absent seven or eight years--no uncommon space for a pilgrimage to Palestine--he returned, and found, to quote the account given by Sir Walter Scott, "his family had not been lonely in his absence, the lady having been cheered by the arrival of a stranger who hung on her skirts and called her mammy, and was just such as the baron would have longed to call his son, but that he could by no means make his age correspond with his own departure for Palestine. He applied, therefore, to his wife for the solution of the dilemma, who, after many floods of tears, informed her husband that, walking one day along the banks of the river, a human form arose from a deep eddy, termed Tweed-pool, who deigned to inform her that he was the tutelar genius of the stream, and he became the father of the sturdy fellow whose appearance had so much surprised her husband." After listening to this strange adventure, "the husband believed, or seemed to believe, the tale, and remained contented with the child with whom his wife and the Tweed had generously presented him. The only circumstance which preserved the memory of the incident was that the youth retained the name of Tweed or Tweedie." Having bred up the young Tweed as his heir while he lived, the baron left him in that capacity when he died, "and the son of the river-god founded the family of Drummelzier and others, from whom have flowed, in the phrase of the Ettrick shepherd, 'many a brave fellow, and many a bauld feat.'"
