Monsieur suggested that I see Mlle. Mullie, a leading dealer of Courtrai, who still handles a large output of Valenciennes; tho Courtrai, which was once a brilliant production center, is no longer of great importance. After the French Revolution, which killed Valenciennes-making in its original home, it migrated to other parts of Northern France, and to the two Flanders; to Ypres, where it enjoyed an especially happy development, to Bruges, Ghent, Dixmude, Furnes, Menin, Nieuport, Poperinghe and elsewhere. For a long time Ghent led all these, with over 5,000 workers listed in 1756. But starvation wages and successful imitations have told against this, as against other laces. Nevertheless, in the census of 1896, Bruges was still credited with 2,000 Valenciennes workers, and Poperinghe with 500, while there were scattered groups of considerable importance in a great number of the villages of Western, and some of Eastern Flanders.

Courtrai and the nearby villages where the lace is actually made, still stand, tho many buildings have been destroyed, but while her people were not forced to become refugees, lace-making was seriously interrupted; workers were evicted from their homes and their schools. And they suffered further because there was scarcely any thread left, the dealers often asking as much as 20 cents for ¾ of a yard of lace thread, about the previous value of the same length in finished lace. Under these conditions it was especially easy to see the importance of the efforts of the Brussels Lace Committee, which furnished thread at the normal price, and gave more for the lace than was ever offered before the war.

Bobbins of Belgium — Part 24

First column: Malines, Malines, Point de Paris, Point de Paris, Valenciennes (square mesh)

Bobbins of Belgium — Part 24

Third column: First three, Valenciennes; fourth, Point de Paris]

Bobbins of Belgium — Part 24

[Illustration: CUSHION COVER REPRESENTING BELGIUM’S GRATITUDE TO AMERICA FOR BREAD

Point de Paris lace combined with linen. The lower right-hand centerpiece shows the rose design, emblem of Queen Elizabeth]

Unfortunately the German facteurs (agents for lace dealers) worked cleverly here, too, as in other districts. They had always plenty of requisitioned thread to offer, and succeeded in buying considerable lace, for which they offered high and varying prices.