He was a fighting saint, despite his many gentlenesses. At Downpatrick, where he built his cathedral, he took a little fawn which his men would have killed, and carried it in his breast. I like the description of him by his friend St. Evan of Monasterevan, which tells us how he was sweet to his friends, but terrible to his enemies.
I think of St. Patrick at Christ Church rather than of St. Lawrence O'Toole, Archbishop of Dublin, who, with Strongbow, that fierce Norman who seized Ireland for Henry II. of England, built Christ Church. St. Lawrence O'Toole's heart lies here in a reliquary. Here also Lambert Simnel was crowned; but who thinks of that ignoble impostor now?
Christ Church presents an effect of lightness and brightness very different from St. Patrick's, in which it seems to me it is always afternoon, and winter afternoon. Patrick is in a particularly picturesque slum of the city, in the Earl of Meath's liberty, hard by the Coombe, which was once a pleasant dell, no doubt, but is now the raggedest of slums. To the Earl of Meath's liberty came the French silk-weavers expelled from France after the revocation of the Edict of Nantes, and established the industry of poplin-weaving there.
The man with whom St. Patrick's Cathedral is associated is Jonathan Swift, and for his sake it is perpetually dark. It is haunted by the tragedy of his life and death. Here Esther Johnson is buried; and over yonder, in the Deanery House, Swift, a sick man, lay in bed and watched the torches in the great church when they were making ready her grave. The strange bitterness of the terrible inscription which commemorates that most unhappy great man seems to colour the atmosphere of St. Patrick's. "Where fierce indignation can no more lacerate his heart," he rests by the side of the woman who was faithful to him with a long patience, whose death left him to loneliness and madness.
The whole place is haunted by him, as is the deanery close by and the old library of Dr. Marsh, which is said to have a ghost that flings the books about at night.
What ghosts meet one in the Dublin streets! There is Wesley. He was visiting the Countess of Moira at Moira House, which now, docked of its upper story, is the Mendicity, or, as the Irish put it, the "Mendacity" Institution. It was a splendid mansion when Wesley was there. One room with a bay-window was lined with mother-o'-pearl. "Alas," said Wesley prophetically, "that all this must vanish like a dream!" The Moiras were not only religious: they were cultivated, refined, patriotic in the truest sense--altogether noble and generous. They received poor Pamela, Lady Edward Fitzgerald, with kindly open arms when that romantic hero, Lord Edward, lay dying of his wounds.