Anders Osterlind (19 June 1887 – January 1960) was a French painter. He was the son of the painter Allan Österlind, and the father of watercolorist Nanic Osterlind.
During his youth, Osterlind was close to the impressionist movement, through Armand Guillaume and the aging Auguste Renoir, whom he assisted. He was close to the Fauvism artists at their peak. He also developed mutual friendship and esteem with a number of prominent painters of the School of Paris, such as Amedeo Modigliani, Michel Kikoine, Chaïm Soutine, Othon Friesz, Jacques Villon, André Dunoyer de Segonzac. However, Osterlind showed a fierce sense of independence, an extreme sensitivity to nature, and a dedication to pictural mastery. He pursued, over fifty years, and in a total indifference to trends, a landscape artist's work, original and filled with strong poetic intensity.
Life
Youth 1887-1907
Through this period, Anders Osterlind stayed with his parents in Paris, Brittany (Bréhat, Penvern), or the Creuse area (Gargilesse). Whilst in Brittany, amongst his parents' friends, he met with the philosopher Ernest Renan, the art critics Armand Dayot and Charles Le Goffic, the poets Edmond Haraucourt and Max Jacob, the painter Maxime Maufra and in the Creuse area, the poet Maurice Rollinat. In Paris, he got acquainted with the large group of Scandinavian artists living in the capital at the end of the 19th century, in particular August Strindberg, Prince Eugen of Sweden, and the painter Per Ekström. When he was 5 years old, he also met Auguste Renoir, who was living next to his parents at the bottom of Montmartre hill, and who used to take him for long walks in the Luxembourg gardens. Later in his life, he found back the famous painter in Cagnes in 1918-1919.
He received his primary education along the places of the family's moves, in schools at Penvern, and Bréhat, in Brittany, then in Gargilesse-Dampierre and Fresselines in the Creuse area. His secondary education was completed in Sainte-Croix school in Neuilly-sur-Seine, near Paris. He did not attend any art school or studio. His artistic education was provided by his father, the painter-etcher-watercolorist :sv:Allan Österlind, of post romantic and naturalist inclination, and by his French friends Maurice Rollinat, Maxime Maufra, Jean-François Raffaëlli, as well as by the Nordic community he used to get with, and in particular the swede Per Ekström who taught him the art of painting knife which shall become a feature of his work.
In 1905, at the SNBA Paint Fair, Anders Osterlind hung a pastel "L'Aurore" (The Dawn) and an oil painting "Effet de neige" (Snow effect), his first painting which he presented to his master Per Ekström as a gesture of recognition.
The maturity (1907-1960)
From 1907 onwards, he started selling his work, in particular in Sweden. He moved around in the Montparnasse group, and from 1918-1919, he associated himself with the artist group which was to form the Ecole de Paris : among his friends were Michel Kikoine, Amedeo Modigliani, etc.
Anders Osterlind is primarily a landscape artist. In search of light, emotion, he went to numerous places around France. He also stayed abroad. He got inspired by the Paris area (Versailles, Moret-sur-Loing, Rambouillet forest), Northern Brittany (Penvern, Ploumanac'h, Tonquédec, Bréhat, Lannion, Saint-Quay-Portrieux), Finistère (Bénodet, Portsall), Normandy (Honfleur, Barfleur, Yport, Martagny, etc.), South of France (Arles, Cagnes-sur-Mer, Aix-en-Provence, Vaison-la-Romaine), and also by the Creuse, Corrèze, Sarthe, Touraine, Alps, Lozère (Florac), Cantal (Thiézac), Charente, Pays Basque. He also stayed in Tunisia, Stockholm, and Copenhagen.
Osterlind was a member of the "Salon d'Automne" (the well established Fall exhibition), the Salon des Indépendants, of the board of the "Salon des Tuileries", vice-president of the "Salon du dessin et de la peinture à l'eau". He has left over 2000 paintings, held in private collections and in numerous museums in France and abroad.