From this it follows that intellectualistic scepticism finds it easy to deny the certainty of any history, for the certainty of history differs from that of science. It is the certainty of memory and of authority, not that of analysis and demonstration. To speak of historical induction or demonstration is to make a metaphorical use of these expressions, which bear a quite different meaning in history to that which they bear in science. The conviction of the historian is the undemonstrable conviction of the juryman, who has heard the witnesses, listened attentively to the case, and prayed Heaven to inspire him. Sometimes, without doubt, he is mistaken, but the mistakes are in a negligible minority compared with the occasions when he grasps the truth. That is why good sense is right against the intellectualists in believing in history, which is not a "fable agreed upon," but what the individual and humanity remember of their past. We strive to enlarge and to render as precise as possible this record, which in some places is dim, in others very clear. We cannot do without it, such as it is, and taken as a whole it is rich in truth. Only in a spirit of paradox can one doubt that there ever was a Greece or a Rome, an Alexander or a Cæsar, a feudal Europe overthrown by a series of revolutions, that on the 1st of November 1517 the theses of Luther were fixed to the door of the church at Wittemberg, or that the Bastile was taken by the people of Paris on the 14th of July 1789.

"What proof hast thou of all this?" asks the sophist, ironically. Humanity replies: "I remember it."

Aesthetic as science of expression and general linguistic — Part 35

[Sidenote: _Philosophy as perfect science. The so-called natural sciences, and their limits._]

Aesthetic as science of expression and general linguistic — Part 35

The world of what has happened, of the concrete, of historical fact, is the world called real, natural, including in this definition both the reality called physical and that called spiritual and human. All this world is intuition; historical intuition, if it be shown as it realistically is; imaginary or artistic intuition in the narrow sense, if presented in the aspect of the possible, that is to say, of the imaginable.

Aesthetic as science of expression and general linguistic — Part 35

Science, true science, which is not intuition but concept, not individuality but universality, cannot be anything but science of the spirit, that is, of what reality has of universal: Philosophy. If natural _sciences_ be spoken of, apart from philosophy, we must observe that these are not perfect sciences: they are aggregates of cognitions, arbitrarily abstracted and fixed. The so-called natural sciences indeed themselves recognize that they are surrounded by limitations, and these limitations are nothing but historical and intuitive data. They calculate, measure, establish equalities and uniformities, create classes and types, formulate laws, show in their own way how one fact arises out of other facts; but while doing this they are constantly running into facts known intuitively and historically. Even geometry now states that it rests altogether on hypotheses, since threedimensional or Euclidean space is but one of the possible spaces, selected for purposes of study because more convenient. What is true in the natural sciences is either philosophy or historical fact. What of properly naturalistic they contain, is abstraction and caprice. When the natural sciences wish to become perfect sciences, they must leave their circle and enter philosophy. They do this when they posit concepts which are anything but naturalistic, such as those of the unextended atom, of ether or vibration, of vital force, of non-intuitional space, and the like. These are true and proper attempts at philosophy, when they are not mere words void of meaning. The concepts of natural science are, without doubt, most useful; but one cannot obtain from them that _system_ which belongs only to the spirit.