Absolute certainty, of course, is unattainable at present, but the decipherment of these inscriptions has reached a degree of accuracy sufficient for all practical purposes. Scholars, perhaps, will always dispute about the exact meaning of certain words or phrases, as they do in reference to the Hebrew and Greek Scriptures, but in either case it is seldom that any important point turns upon the particular shade of meaning. Still, it is evident that the Orientalists who have undertaken to restore the early chronology of Assyria and Babylonia have a difficult task in hand.

One of the points most surely settled by the deciphering of these inscriptions is, that so far as certain peoples are concerned the world of letters extends much farther back than has generally been supposed.

Persian Literature — Part 22

There are philological tablets which are apparently designed, in some cases, to give the manner in which the names of Semitic kings were pronounced or written by their Accadian subjects.

Persian Literature — Part 22

An instance of this is found in the name of Sargon of Accad, the ancient hero of the Semitic population of Chaldea, who founded the first Semitic empire in the country and established a great library in his capital city, Accad, near Sippara. The seal of his librarian, which is of beautiful workmanship, is now in Paris, and has been published by M. de Clercq,[27] while a copy of his annals, together with those of his son Naram-Sin, may be found in Western Asia Inscriptions.[28]

Persian Literature — Part 22

Among these early records we also find tablets[29] which have been exhumed, placed in the British Museum and translated, bearing the old Assyrian record of the flood, which is marvelously like the account found in Genesis, even to the “building of the ship,” which contained “the seed of all life,” and the raven and the dove which were sent forth from its windows after the waters began to recede. Another tablet[30] describes the building of some great tower or “stronghold,” apparently by command of the king, but the gods are represented as being angry, for it is stated that “Babylon corruptly to sin went, and small and great mingled on the mound.... To their stronghold in the night he made an end. In anger also the secret counsel he poured out—to scatter (them abroad) his face he set. He gave a command to make strange their speech.... Violently they wept—very much they wept.”