But could such love as this exist, could it be genuine? To my mind, indubitably. For there is, in all our perceptions and desires of physical and moral beauty, an element of passion which is akin to love; and there is, in all love that is not mere lust, a perception of, a craving for, beauty, real or imaginary which is identical with our merely æsthetic perceptions and cravings; hence the possibility, once the wish for such a passion present, of a kind of love which is mainly æsthetic, which views the beloved as gratifying merely to the wish for physical or spiritual loveliness, and concentrates upon one exquisite reality all dreams of ideal perfection. Moreover there comes, to all nobler natures, a love dawning: a brightening and delicate flushing of the soul before the actual appearance of the beloved one above the horizon, which is as beautiful and fascinating in its very clearness, pallor, and coldness, as the unearthly purity of the pale amber and green and ashy rose which streaks the heavens before sunrise. The love of the early Tuscan poets (for we must count Guinicelli, in virtue of his language, as a Tuscan) had been restrained, by social necessities first, then by habit and deliberate æsthetic choice, within the limits of this dawning state; and in this state, it had fed itself off mere spiritual food, and acquired the strange intensity of mere intellectual passions. We give excessive weight, in our days, to spontaneity in all things, apt to think that only the accidental, the unsought, can be vital; but it is true in many things, and truest in all matters of the imagination and the heart, that the desire to experience any sentiment will powerfully conduce to its production, and even give it a strength due to the long incubation of the wish. Thus the ideal love of the Tuscan poets was probably none the weaker, but rather the stronger, for the desire which they felt to sing such passion; nay, rather to hear it singing in themselves. The love of man and wife, of bride and bridegroom, was still of the domain of prose; adulterous love forbidden; and the tradition of, the fervent wish for, the romantic passion of the troubadours consumed them as a strong artistic craving. Platonic love was possible, doubly possible in souls tense with poetic wants; it became a reality through the strength of the wish for it.