How pleasantly these villages nestle upon the breasts of the mountains, as if there to find shelter from the stormy blast! Trains of mules, attended by their drivers, whose shrill shouts echo among the rocky hills, wind upward, laden with rich tropical fruits from the coast, or with goods from other lands. Other trains descend, laden with grain and the fruits of the temperate zone, from the higher districts. Well-guarded mules bear bars of precious silver from the mountain mines for the currency of the world, or to render dazzling service on the tables of nobles and kings in foreign lands. Look upon the gorgeous clouds above you, as if the snowy Andes were soaring heavenward; reach higher points, and look upon shining clouds far below, as if the same snowy mountains had descended to bow in meek devotion. The llama, the delicate beast of burden, sometimes called the Peruvian camel, with gently curving neck, moves gracefully on, turning often and quickly, from side to side, mild, plaintive eyes, as if entreating pity.

The cascade glances like a streak of silver from the mountain at your side; in the valley you see the sweet, calm lake, or you hear the torrent, sounding among shadowy woodlands, never weary, never still. Stand on a lofty ridge, and look abroad on the vast, snowy heights that appear in the horizon;--then let the 'mind's eye' look beyond the horizon, and behold similar peaks stretching three thousand miles along. Then bend reverently before Him who has made earth so grand.

Continental Monthly, Vol. 5, Issue 2, February, 1864 — Part 142

Go to the galleries of Rome and Florence. It is wise to gather new beauty to the soul from works of art, and to study the exquisite graces which the great masters have gathered from nature and delineated in glowing canvas or in lasting marble; yet, here is a gallery of paintings by the Great Master and Author of all sublimity and beauty in heaven and earth, extending, not from room to room of buildings made with hands and roofed with cedar, but from hall to hall of nature's colossal cathedral, roofed by the infinite sky. Look at these pictures, ever changing, yet ever grand, of majestic mountains, of reposing valleys, of fertile plains, of rural homes, of streams and waterfalls, of vast forests, of myriad forms of life and beauty, of sunrise, sunset, and the glittering moon. What a marvellous variety in the objects portrayed! What surprises at every turn! Colors more brilliant than Titian or Allston could combine, join in harmonious effect on every side, and grace and vigor, beauty and grandeur, are blended in every scene and almost in every outline. Would you examine the famous statues of the world, and admire the symmetry of form and power of expression drawn forth by human skill from the hard, white stone? Or will the fragments of ancient art give delight for their expressive beauty, visible though in broken forms? Behold here a gallery of statuary, a line of divine masterpieces, whiter than Parian marble, wrought by the 'ANCIENT OF DAYS.' Will you admire Michael Angelo's colossal 'Day and Night'? and revere the mortal genius that can so impress the soul? Give homage, then, for the majesty of power with which He who created and adorned the universe has displayed, among the Andes, Day and Night--Day robed with unutterable splendor, Night with transcendent awe.

Continental Monthly, Vol. 5, Issue 2, February, 1864 — Part 142