I would I might forget that I am I, And break the heavy chain that binds me fast, Whose links about myself my deeds have cast. What in the body’s tomb doth buried lie Is boundless; ’tis the spirit of the sky, Lord of the future, guardian of the past, And soon must forth to know his own at last. In his large life to live, I fain would die. Happy the dumb beast, hungering for food, But calling not his suffering his own; Blesséd the angel, gazing on all good, But knowing not he sits upon a throne; Wretched the mortal, pondering his mood, And doomed to know his aching heart alone.

The much-mooted, but vaguely understood, sub-conscious mind, speaks in this sonnet in terms of the conscious. It is a subtle bit of philosophy, but not more so than several others in the same sequence which show the evolution of Mr. Santayana’s attitude toward life. One may not in a brief space follow out the clews to this development, whose beginning was in religious emotion:

The Younger American Poets — Part 46

* * * * * My sad youth worshipped at the piteous height Where God vouchsafed the death of man to share; His love made mortal sorrow light to bear, But his deep wounds put joy to shaméd flight, And though his arms outstretched upon the tree, Were beautiful, and pleaded my embrace, My sins were loth to look upon his face. So came I down from Golgotha to thee, Eternal Mother; let the sun and sea Heal me, and keep me in thy dwelling-place.

The Younger American Poets — Part 46

The succeeding sonnet traces the winding of the new way, the reluctance, the

The Younger American Poets — Part 46

… many farewell pious looks behind, And dumb misgivings where the path might wind, And questionings of nature, as I went,—

which every life duplicates as it leaves its well-guarded walls of belief and ventures out upon undiscovered ways. The pain of letting go the old, the loneliness of the new, the alien look of all the heights that encompass one, and the psychology of that impulse by which one is both impelled to retrace his way and withheld from it,—are suggested by the sonnet. In the next occurs one of Mr. Santayana’s finest lines, the counsel

It would be difficult to define intuition more succinctly than this. It is not, as less subtle poets would have put it, the soul’s assurance that one is to trust; this would be to assume, for what assurance have we but that which Mr. Santayana has so subtly termed the “invincible surmise”?