=INSTRUMENTS AND ART OF THE ORCHESTRA.= An Introductory Study. With Table showing Range of each Instrument. By P. W. DE COURCY-SMALE, _Mus.Bac._ Cloth, 6s. _net_ (paper, 3s, 6d. _net_).
=ORCHESTRAL WIND INSTRUMENTS=, Ancient and Modern. Being an Account of the Origin and Evolution of Wind Instruments from the Earliest to the most Recent Times. Illustrated with Plates specially prepared for this Work, giving sixty-one Examples of Instruments (or parts) described. By ULRIC DAUBENY. Important original work fully illustrated with beautiful Reproductions taken from fine Photographs of the Actual Instruments. 8vo, cloth, 21s. _net_.
=HANDBOOK ON THE TECHNIQUE OF CONDUCTING.= By SIR ADRIAN BOULT. Seventh Edition, revised. 5s. _net_.
=PRACTICAL GUIDE FOR THE CONDUCTOR= and Useful Notes for the Orchestra. By F. W. DE MASSI-HARDMAN. With Music Examples and Diagrams. 3s. _net_.
=ART OF THE CONDUCTOR.= A Suggestive Guide to the Theory and Practice. With 41 Diagrams and Examples. By HECTOR BERLIOZ. Translated by J. BROADHOUSE. Cloth, 7s. 6d. _net_.
=A MUSICAL ZOO.= Twenty-four Illustrations displaying the Ornamental Application of Animal Forms to Musical Instruments (Violins, Viol da Gambas, Guitars, Pochette, Serpent, etc.) Drawn from the Carved Examples by HENRY SAINT-GEORGE. Cloth, 6s. _net_ (paper, 3s. 6d. _net_).
=THE FUTURE OF MUSIC.= Coming Changes Outlined in Regard to Composer, Conductor and Orchestra. By LOUIS LALOY. Translated by MRS. FRANZ LIEBICH. 8vo, cloth, 3s. 6d. _net_ (paper, 2s. _net_).
=HOW TO PLAY FROM SCORE.= Treatise on Accompaniment from Score on the Organ or Piano. By F. FETIS. Translated by A. WHITTINGHAM. With forty pages of Examples. Crown 8vo, cloth, 7s. 6d. _net_.
This popular and useful book might have been entitled "The Art of Making Arrangements for the Organ or Pianoforte from Full Orchestral and Other Scores." It contains all that is necessary to know upon this subject.
=ON CONDUCTING.= By RICHARD WAGNER. Translated by E. DANNREUTHER. Fourth Edition. Crown 8vo, cloth, 7s. 6d. _net_.
WEINGARTNER, speaking of this celebrated work, says: "Wagner's book laid the foundation for a new understanding of the function of the conductor, in whom we now recognise, not only the eternal factor that holds together an orchestral, choral or operatic performance, but above all the spiritualising internal factor that gives the performance its very soul."