Charles Deering (July 31, 1852 – February 5, 1927) was an American businessman, art collector, and philanthropist. He was an executive of the agricultural machinery company founded by his father that became International Harvester. Charles's successful stewardship of the family firm left him with the means and leisure to indulge his interests in the arts and natural sciences. His activities and benefactions in the US were centered on Chicago and Miami; he also aspired to found an art museum in Spain.
Early life
Deering was born July 31, 1852, in South Paris, Maine, the son of Abby Reed Barbour and William Deering. His father was a successful businessman then engaged in real estate speculation and the manufacture and sale of woolens. In 1856, Charles's mother died, and, the following year, his father married Clara Barbour Cummings Hamilton, a cousin of his late wife. The two children of this marriage were James Deering (1859–1925) and Abby Marion Deering (later Mrs Richard Flint Howe). Charles remained close to his half-brother and sister throughout his life.
Charles attended Kents Hill School, graduating in June 1869. At first, he set his sights on a career in the Navy. Obtaining a midshipman's warrant, he entered the United States Naval Academy at Annapolis, where he graduated second in the class of 1873. He served as a naval officer until 1881, when he resigned in order to join his father's company. Naval service shaped Deering by exposing him to the cultures of Europe and Asia. He supplemented these experiences with extensive personal travel, developing cosmopolitan tastes, a cosmopolitan outlook, and a particular affinity with the arts of Spain. While still in the Navy, Charles met and married Ana Rogers Case, the daughter of Rear Admiral Augustus Ludlow Case; the couple wed in 1875 in Newport, Rhode Island. Ana Deering died October 31, 1876, shortly after giving birth to a son, Charles Case Deering (1876–1924).
Deering was a gifted amateur artist, and while still in the Navy he used his free time to become acquainted with leading artists and to visit the world's great art galleries. He began a lifelong habit of collecting art, both by acknowledged masters and contemporaries. In 1876, he met the painter John Singer Sargent, who became a close friend. Other artist-friends included sculptor Augustus St. Gaudens, the Swedish artist Anders Zorn, and Catalan artist Ramon Casas i Carbo. In 1893, Deering took time off from his other duties to study painting in Paris under Zorn for an entire season. Throughout his life, Deering enthusiastically supported and championed the work of many living artists while also avidly purchasing hundreds of older, more obscure works along with many acknowledged masterpieces.
Business career
By 1881, William Deering's business activities had shifted to Illinois, where some earlier investments had led to his founding the Deering Harvester Company. As it grew, he enlisted both his sons in running the company. Charles moved to Chicago, taking up permanent residence in Evanston and becoming the company's secretary. His father retired in 1901. In 1902, J. P. Morgan financed a deal that combined Deering Harvester and the company founded by Cyrus McCormick, along with several others, to form the International Harvester Company. Charles Deering became chairman of the board of the newly created company. He served in this capacity until 1910, when he retired.
Art patronage and collecting
Deering devoted the rest of his life to art collecting and to the creation of several estates in the United States and Europe. Deering dreamed of creating an art center in Spain, and in 1910 he had the Palau Maricel built with the help of the artist Miquel Utrillo in Sitges, a town just south of Barcelona. The building was connected by a bridge across the lane to a second building he purchased, which now houses the Museu Maricel. A portrait of him by Catalan artist Ramon Casas i Carbó can be seen in the museum, which is open to visitors. The Palau Maricel is also open to visitors. Deering's hope was that the complex would become a magnet for artists and artistic life, where people of many nations would come to make art and study. In addition, Deering's own large and many-sided collection of Spanish art and decorative objects would be on display. In the end, however, Deering abandoned much of this plan. Instead, much of his collection was given to the Art Institute of Chicago, while other works were transferred to his estate at Cutler, Florida.