The under garment, very much _en évidence_, is a short chemise of tinselled silk gauze, or gold-embroidered muslin so transparent as to leave nothing to the imagination. This lady wore a skirt of flowered silver brocade, enormously full, ten or twelve yards wide, made to stand nearly straight out by some frills or skirts of very stiffly starched cotton underneath, the whole, not even on a waistband round the waist, but drawn by strings, and suspended over the hips, the skirts coming down to within a few inches of the knee, leaving the white rounded limbs uncovered. The effect of this exaggerated _bouffante_ skirt is most singular. White socks are worn. Over the transparent _pirah[=a]n_, or chemise, she wore a short velvet jacket beautifully embroidered in gold, with its fronts about ten inches apart, so as to show the flowered chemise. Her eyebrows were artificially curved and lengthened till they appeared to meet above her nose, her eyelashes were marked round with _kohl_, and a band of blue-black paint curving downwards above the nose crossed her forehead, but was all but concealed by a small white square of silk _crêpe_, on the head and brow and fastened under the chin by a brooch.

Had she been in another house she would have worn a large square of gold-embroidered silk, with the points in front and behind, and fastened under the chin. Under the _crêpe_ square there was a small skull-cap of gold-embroidered velvet, matching her little zouave jacket, with an aigrette of gems at the side. Her arms were covered with bracelets, and a number of valuable necklaces set off the beauty of her dazzlingly white neck.

Journeys in Persia and Kurdistan, Volume I (of 2) — Part 155

Persian ladies paint, or rather smear, but her young pure complexion needed no such aids. Her front hair, cut to the level of her mouth, hung down rather straight, and the remainder, which was long, was plaited into many small glossy plaits. Contrary to custom, it was undyed, and retained its jet-black colour. Most Persian ladies turn it blue-black with indigo, or auburn with _henna_, and with the latter the finger-nails and palms of the hands are always stained.

Journeys in Persia and Kurdistan, Volume I (of 2) — Part 155

Her jewellery was all of solid gold; hollow gold and silver ornaments being only worn by the poor. She wore a chain with four scent caskets attached to it exhaling attar of roses and other choice perfumes.

Journeys in Persia and Kurdistan, Volume I (of 2) — Part 155