In the said book, then, the figure of Silius has on the head a helmet with a crest of gold and a chaplet of laurel; he is wearing a blue cuirass picked out with gold in the ancient manner, while he is holding a book in his right hand, and the left he has on a short sword. Over the cuirass he has a red chlamys, fastened in front with a knot, and fringed with gold, which hangs down from his shoulders. The inside of this chlamys is seen to be of changing colours and embroidered with gold. His buskins are yellow, and he is standing on his right foot in a niche. The next figure in this work represents Scipio Africanus. He is wearing a yellow cuirass, and his sword-belt and sleeves, which are blue in colour, are all embroidered with gold. On his head he has a helmet with two little wings and a fish by way of crest. The young man's countenance is fair and very beautiful; and he is raising his right arm proudly, holding in that hand a naked sword, while in the left hand he has the scabbard, which is red and embroidered with gold. The hose are green in colour and plain; and the chlamys, which is blue, has a red lining with a fringe of gold all round, and it is fastened at the throat, leaving the front quite open, and falling behind with beautiful grace. This young man, who stands in a niche of mixed green and grey marble, with blue buskins embroidered with gold, is looking with indescribable fierceness at Hannibal, who faces him on the opposite page of the book. This figure of Hannibal is that of a man about thirty-six years of age; he is frowning, with two furrows in his brow expressive of impatience and anger, and he, too, is looking fixedly at Scipio. On his head he has a yellow helmet, with a green and yellow dragon for crest and a serpent for chaplet. He is standing on his left foot and raising his right arm, with which he holds the shaft of an ancient javelin, or rather, of a little partisan. His cuirass is blue, his sword-belt partly blue and partly yellow, his sleeves of changing blue and red, and his buskins yellow. His chlamys, of changing red and yellow, is fastened on the right shoulder and lined with green; and, holding his left hand on his sword, he is standing in a niche of varicoloured marbles, yellow, white, and changing. On another page is Pope Nicholas V, portrayed from the life, with a mantle of changing purple and red and all embroidered with gold. He is without a beard and in full profile, and he is looking towards the beginning of the book, which is opposite to him; and he is pointing to it with his right hand, as though in a marvel. The niche is green, white, and red. Then in the border there are certain little half-length figures in an ornament composed of ovals and circles, and other things of that kind, together with an infinite number of little birds and children, so well wrought that nothing more could be desired. Close to this, in like manner, are Hanno the Carthaginian, Hasdrubal, Laelius, Massinissa, C. Salinator, Nero, Sempronius, M. Marcellus, Q. Fabius, the other Scipio, and Vibius. At the end of the book there is seen a Mars in an antique chariot drawn by two reddish horses. On his head he has a helmet of red and gold, with two little wings; on his left arm he has an antique shield, which he holds before him, and in his right hand a naked sword. He is standing on his left foot only, holding the other in the air. He has a cuirass in the antique manner, all red and gold, as are his hose and his buskins. His chlamys is blue without, and within all green and embroidered with gold. The chariot is covered with red cloth embroidered with gold, with a border of ermine all round; and it stands in a verdant and flowery champaign country, surrounded by cliffs and rocks; while landscapes and cities are seen in the distance, with a sky of a most marvellous blue. On the opposite page is a young Neptune, whose clothing is in the shape of a long shirt, embroidered all round with the colour formed from terretta verde. The flesh-colour is very pale. In his right hand he is holding a little trident, and with his left he is raising his dress. He is standing with both feet on the chariot, which has a covering of red, embroidered with gold and fringed all round with sable. This chariot has four wheels, like that of Mars, but it is drawn by four dolphins, and accompanied by three sea-nymphs, two boys, and a great number of fishes, all wrought with a water-colour similar to the terretta, and very beautiful in expression. After these is seen Carthage in despair, in the form of a woman standing upright with dishevelled hair.
Beauty Report
Lives of the Most Eminent Painters Sculptors and Architects — Part 21
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