Examples of the economic, without the moral character, are Machiavelli's hero Cæsar Borgia, or the Iago of Shakespeare. Who can help admiring their strength of will, although their activity is only economic, and is developed in opposition to what we hold moral? Who can help admiring the Ser Ciappelletto of Boccaccio, who pursues and realizes his ideal of the perfect rascal even on his death-bed, making the petty and timid little thieves who are present at his burlesque confession exclaim: "What manner of man is this, whose perversity neither age, nor infirmity, nor the fear of death which he sees at hand, nor the fear of God before whose judgement-seat he must stand in a little while, have been able to remove, nor to make him wish to die otherwise than as he has lived?"

[Sidenote: _The economic side of morality._]

Aesthetic as science of expression and general linguistic — Part 54

The moral man unites with the pertinacity and fearlessness of a Cæsar Borgia, of an Iago, or of a Ser Ciappelletto, the good will of the saint or of the hero. Or, rather, good will would not be will, and consequently not good, if it did not possess, in addition to the side which makes it _good,_ also that which makes it _will._ So a logical thought which does not succeed in expressing itself is not thought, but at the most a confused presentiment of a thought beyond yet to come.

Aesthetic as science of expression and general linguistic — Part 54

It is not correct, then, to conceive of the amoral man as also anti-economical, or to make of morality an element of coherence in the acts of life, and therefore of economicity. Nothing prevents us from conceiving (an hypothesis which is verified at least during certain periods and moments, if not during whole lifetimes) a man altogether without moral conscience. In a man thus organized, what for us is immorality is not so for him, because it is not felt as such. The consciousness of the contradiction between what is desired as a rational end and what is pursued egoistically cannot arise in him. This contradiction is anti-economicity. Immoral conduct becomes also anti-economical only in the man who possesses moral conscience. The moral remorse which is the indication of this, is also economical remorse; that is to say, sorrow at not having known how to will completely and to attain that moral ideal which was willed at first, instead of allowing himself to be led astray by the passions. _Video meliora proboque, deteriora sequor._ The _video_ and the _probo_ are here an initial _volo_ immediately contradicted and overthrown. In the man without moral sense, we must admit a remorse that is _merely economic_; like that of a thief or of an assassin who, when on the point of robbing or of assassinating should abstain from doing so, not owing to a conversion of his being, but to nervousness and bewilderment, or even to a momentary awakening of moral consciousness. When he has come back to himself, such a thief or assassin will regret and be ashamed of his incoherence; his remorse will not be due to having done wrong, but to _not_ having done wrong; it is therefore economic, not moral, since the latter is excluded by hypothesis. But since a lively moral consciousness is generally found among the majority of men and its total absence is a rare and perhaps non-existent monstrosity, it may be admitted that morality, in general, coincides with economicity in the conduct of life.

Aesthetic as science of expression and general linguistic — Part 54