_Progression Constante de la Démocratie pendant soixante ans_, is the title of a new Parisian brochure well noticed. Of the same character is the _Le Mont-Saint-Michel_, by Martin Bernard, a serial publication devoted to the details of the sufferings of Democratic martyrs. The author is now in exile, having shown himself too republican for the present Republic.
Victor Hugo's paper, _L'Evènement_, says of Louis Philippe's Gallery at the Palais Royal, which the heirs now wish to sell, that it has two paintings of Gericault's, the Chasseur and the Cuirassier, and that they symbolize the two phases of the Empire, victorious France and the Invasion. He hopes, therefore, that they will not be permitted to go out of France.
William Howitt is writing a life of George Fox.
Mr. Ticknor's _History of Spanish Literature_ is reviewed in _La Revue des Deux Mondes_ by PROSPER MERIMEE, of whose recent travels in the United States we have had occasion to speak once or twice in _The International_. M. Merimee is the author of a _Life of Peter the Cruel_, of which a translation has been published within a few months by Bentley in London, and he professes to be thoroughly acquainted with Spanish literature, from a loving study of it while residing in Spain. Perhaps he had some thought of writing its history himself; he certainly seems to bestow unwillingly the praises he is compelled to give Mr. Ticknor, whose extraordinary merits he however distinctly admits. "The writer of this History," he says, "has gone into immense researches; he has applied himself deeply and conscientiously to the Castilian language and the Spanish authors: he has read, he has examined, every thing that the English, French, and Germans, had published on this subject. He possessed an advantage over the critics of old Europe--that of being able to treat literary questions without mixing up with them recollections of national rivalries." He concludes his article by saying, "This work is an inestimable repertory; it must be eminently useful in a library. It comprises very good biographical notices of the Spanish authors, and numerous abstracts which obviate the necessity of reference to the original authorities. The translations, which are copious, are executed with surpassing taste, to afford an idea of the style of the Spanish poets. Thanks to the flexibility of the English language, and the ability or command of the author in using it, the translations are of signal fidelity and elegance. The rhythm, the flow, the idiomatic grace and _curiosa felicitas_, are rendered in the most exact and the happiest manner."