Incident at Loch Ness is a 2004 mockumentary starring, produced by and written by Werner Herzog and Zak Penn, while also serving as the latter's directorial debut. The small cast film follows Herzog and his crew (Gabriel Beristain, Russell Williams II) while working on the production of a movie project on the Loch Ness Monster titled Enigma of Loch Ness. Incident at Loch Ness won the New American Cinema Award at the 2004 Seattle International Film Festival.
Plot
After a mysterious shot of a body floating in Loch Ness (reprised near the end), Incident at Loch Ness flashes back to the beginning of a documentary called Herzog in Wonderland being directed by John Bailey with an overview of Herzog's work as he himself begins work for a separate documentary to be called Enigma of Loch Ness, in which he is exploring the Loch Ness Monster myth. Throughout the film, Herzog asserts the Loch Ness Monster is merely a creation of a collective psychological need in society.
As the film continues, Herzog hosts a dinner party to kick off film production. In attendance are his wife (Lena Herzog), several Hollywood celebrities (actors Jeff Goldblum, Ricky Jay, and Crispin Glover and editor Pietro Scalia), and the film's crew. Difficulties begin to arise as the untested producer, Zak Penn, attempts to transform Herzog's film into a high-grossing blockbuster. In this attempt, Penn commits several Hollywood clichés such as hiring a beautiful woman (Kitana Baker) for a dubious role as a sonar operator and a delusional cryptozoologist (Michael Karnow) for comic relief.
As the shooting progresses, the tension between Herzog and Penn escalates with each revelation that Penn is acting in an underhanded manner. First, it becomes quite apparent the producer has commissioned a fake "Nessie" to be used. Then both Kitana and Karnow are revealed to be actors hired by Penn.
In a twist of events, when Herzog and his crew are working on their film, the crew begins to see what appears to truly be the Loch Ness Monster. Herzog and crew become more and more concerned as first the boat's motor fails and then the "monster" appears to be attacking the vessel in a deepening fog. The crew huddles below decks until the monster returns again to ram the boat hard enough to cause it to begin to sink. Karnow is thrown overboard during another attack, "Nessie" now clearly visible to the crew. Karnow is lost in the fog and presumably eaten by the monster. After Penn and the assistant director (Robert O'Meara), sneak away in the liferaft, Herzog decides to put on the ship's sole wetsuit and swim to shore for help. Before he can do so, however, "Nessie" returns to finally sink the ship. While holding a camera in a water-resistant housing, Herzog captures underwater images of a large creature passing him in the murky, dark water.
The next day, Penn is found by vacationers and leads them back to recover all but O'Meara and Karnow, who are presumed dead. At this point, it appears that both the documentary film we have been watching and the documentary film we were watching Herzog make could be fictitious. However, this never becomes completely obvious, and the film ends without making it clear exactly who is duping whom.
Cast
Werner Herzog as himself
Kitana Baker as herself
Gabriel Beristain as himself
Russell Williams II as himself
David A. Davidson as himself
Michael Karnow as himself
Robert O'Meara as himself
Zak Penn as himself
Steven Gardner as himself
Adrian Shine as himself
John Bailey as Herzog's Crew In Wonderland
Matthew Nicolay as Herzog's Crew In Wonderland
Tanja Koop as Herzog's Crew In Wonderland
Marty Signore as Herzog's Crew In Wonderland
Crispin Glover as Party Guest
Jeff Goldblum as Party Guest
Lena Herzog as Party Guest
Ricky Jay as Party Guest
Pietro Scalia as Party Guest
Jenno Topping as Party Guest
Stephen A. Marinaccio as Propmaster
Michael Scott-Law as Angry Man At Bar
Production
The entire movie is actually a mockumentary film-within-a-film-within-a-film invented by Penn. The ruse is revealed in Easter eggs hidden on the DVD. Penn wrote what he calls a "scriptment" (part script, part treatment) that outlined the specific structure of the film and including key dialogue that was needed in order to advance the plot, but left most of the dialogue and interaction up to the participants to work out as improvisation.