*63. =Donne= (John, 1572-1631). A versatile and somewhat eccentric dean, 1621-1631. The only monument at all intact that escaped the Fire. Upright in shroud, and on classical urn. In old church in like position, but on opposite side. Sat for his portrait in his shroud.
64. =Blomfield= (Chas. Jas., 1786-1857). Bishop, 1828-1856. (Geo. Richmond.)
65. =Jackson= (John, 1810-1885). Bishop, 1868-1885. (Thos. Woolner.)
66. =Heber= (Reginald, 1783-1826). Second Bishop of Calcutta; died at Trichinopoly. Thackeray's "Good divine, charming poet, beloved parish priest." Milman's "Early friend, by the foot of whose statue I pass so often, not without emotion, to our services.... None was ever marked so strongly for a missionary bishop in the fabled and romantic East." A kneeling figure, and the best in this aisle. Formerly under the east window, but now facing the sanctuary. (Chantrey.)
*67. =Liddon= (Henry Parry, 1829-1890). South side of the Apse. We fitly close this catalogue with this famous preacher, with the possible exception of Henry Melvill the greatest connected with the cathedral in modern time. Residentiary for twenty years, and Chancellor. (Bodley and Garner.)
Amongst the great sculptors, John Gibson is not represented by any work. Amongst the great men, Wren, his epitaph notwithstanding, might well have a monument with a list of his buildings on the pedestal. Marlborough should have one opposite to Wellington; and Colet, surely, might be again remembered, and with him Dean Church.
The entrance to the staircase is in the ambulatory on the north side of the south transept. This basement story, for the whole length and breadth of the building, of which more than one half is taken up by piers and pillars, dimly lighted in aisles and transepts from above, though it strikes the spectator most impressively, has an aspect weird and sombre to a degree. We feel we are in the company of the dead. The pavement of the dome area is supported by eight larger and four smaller piers, forming externally a square and internally an octagon; and within the octagon eight columns describe a circle of sufficient diameter for Nelson's tomb. The central aisles throughout are likewise supported by double rows of square pillars. At the west end of the choir the piers underneath the chancel arch are exceptionally massive, and east of them the introduction of two extra rows of pillars together with an irregularity in the vaulting indicates, not only where choir screen and organ were placed, but also that Wren never wanted them there to isolate the chancel.