[Music: No. 88. Symphonie pathétique: 3d Movement.]

[Music: No. 89. Symphonie pathétique: Finale.]

The Evolution of Modern Orchestration — Part 180

[Music: No. 90. Symphony No. 5 in E minor: "From the New World."--First Movement.]

The Evolution of Modern Orchestration — Part 180

[Music: No. 91. Sym. in E minor: First Movement.]

The Evolution of Modern Orchestration — Part 180

[Music: No. 92. Sym. in E minor: 1st Movement.]

[Music: No. 93. Sym. in E minor: 2d Movement.]

[Music: No. 94. Sym. in E minor: 4th Movement.]

[Music: No. 95. Sym. in E minor: 4th Movement.]

[Music: No. 96. Sym. in E minor: 4th Movement.]

[Music: No. 97. Zarathustra: (»das Grablied.«)]

[Music: No. 98. Zarathustra: (»von der Wissenschaft.«)]

[Music: No. 100. Zarathustra: (»das Tanzlied.«)]

"An undertaking which," says W.S. HENDERSON, in _The Atlantic Monthly_, "will suffice for many years to come, and will remain for all time a monument to the learning, patience, and judgment of the editor."

Grove's Dictionary of Music and Musicians

In five 8vo volumes, each illustrated with a photogravure and twenty-four full-page half-tone plates, besides many illustrations in the text.

"Unquestionably the most valuable work of the kind in English, and at present superior to any other in any language, considering its encyclopædic character and the substantial quality of its most important articles."--_The New York Times._

"The best and most comprehensive dictionary of music is still the pioneer one.... Grove's 'Dictionary of Music and Musicians' has become a standard work without a rival."--_The Review of Reviews._

PUBLISHED BY THE MACMILLAN COMPANY SIXTY-FOUR AND SIXTY-SIX FIFTH AVENUE NEW YORK

_Editor of "Masters in Music," Lecturer in the New York Normal College and in the Extension Department of Columbia University_

_Four portraits and 25 plates. Cloth, $1.50 net_

"Mr. Mason has brought the same clear thought, suggestiveness and philosophic spirit to bear upon this subject as he exhibited in his former volume, and the result is a treatment that will be found stimulating by all who approach music as something more than a mere sensuous pleasure."--_Richard Aldrich in The Music Review._

The composers treated are Schubert, connecting link between Beethoven and the "romantic" school; Schumann, who created a new type of piano music; Mendelssohn, who anticipated the orchestral style of to-day; Chopin, the supreme master of the pianoforte; Berlioz, the pioneer of the dramatic symphony and a virtuoso of the orchestra; and Liszt, who contributed to music that form,--the symphonic poem,--most persistently cultivated by modern musicians.