While Doctor Bronson was explaining about the birds, Fred suddenly gave an exclamation of delight.
"Look, look!" said he; "what are those beautiful white birds?"
"Oh, I know," answered Frank; "they are storks. I recognize them from the pictures I have seen on fans and screens. I'm sure they are storks."
[Illustration: STORKS, DRAWN BY A NATIVE ARTIST.]
The decision was appealed to Doctor Bronson, who decided that the birds in question were storks, and nothing else. There was no mistaking their beautiful figures; whether standing in the fields or flying in the air, the stork is one of the handsomest birds known to the ornithologist.
"You see," said Doctor Bronson, "that the stork justifies the homage that is paid to him so far as a graceful figure is concerned, and the Japanese have shown an eye for beauty when they selected him for a prominent place in their pictures. You see him everywhere in Japanese art--in bronzes, on costly paintings, embroidered on silk, printed on fans, and on nearly every article of household use. He has a sacred character, and it would not be easy to find a Japanese who would willingly inflict an injury upon one of these birds."
There are probably no other artists in the world who can equal the Japanese in drawing the stork in all the ways and attitudes he assumes. These are almost countless; but, not satisfied with this, there are some of the native artists who are accused of representing him in attitudes he was never known to take. Admitting this to be the case, it cannot be disputed that the Japanese are masters of their profession in delineating this bird, and that one is never weary of looking at his portrait as they draw it. They have nearly equal skill in drawing other birds, and a few strokes of the brush or pencil will accomplish marvels in the way of pictorial representation. A flock of geese, some on the ground and others in flight, can be drawn in a few moments by a native designer, and the most exacting critic will not find anything wanting.
The train sped onward, and in an hour from the time of leaving the station at Yokohama it was nearing Tokio. It passed in full view of the forts of Shinagawa, which were made memorable during the days of Perry and Lord Elgin, as the foreign ships were not allowed to pass them, and there was at one time a prospect that they would open fire upon the intruders. Near one of the forts, a boat containing three fishermen was pulling slowly along, one man handling the oar, while the other two were lifting a net. Whether any fish were contained in it the boys did not ascertain, as the train would not stop long enough to permit an investigation. The fort rose from the water like a huge warehouse; it might resist a Chinese junk, or a whole fleet of the rude craft of the East, but could not hold out an hour against the artillery of the Western nations. In recent years the forts of Tokio have been strengthened, but they are yet far from what an American or English admiral would hold in high respect. The Japanese have made commendable progress in army organization; but, so far as one can learn generally, they have not done much in the way of constructing and manning fortifications.