She was a graceful and attractive creature in spite of her costume. She waited on her husband and on me, that is, she poured out the tea and moved about the room for hot water and _bonbons_ with the feeble, tottering gait of a woman quite unaccustomed to exercise, and to whom the windy wastes outside the city walls and a breezy gallop are quite unknown. The little girls were dressed in the style of adults, and wore tinselled gauze _chad[=a]rs_ or _chargats_.

After seeing a good deal of home life during some months in Persia, I have come to the conclusion that there is no child life. Swaddled till they can walk, and then dressed as little men and women, with the adult tyrannies of etiquette binding upon them, and in the case of girls condemned from infancy to the seclusion of the _andarun_, there is not a trace of the spontaneity and nonsense which we reckon as among the joys of childhood, or of such a complete and beautiful child life as children enjoy in Japan. There does not appear to be any child talk. The Persian child from infancy is altogether interested in the topics of adults; and as the conversation of both sexes is said by those who know them best to be without reticence or modesty, the purity which is one of the greatest charms of childhood is absolutely unknown. Parental love is very strong in Persia, and in later days the devotion of the mother to the boy is amply returned by the grown-up son, who regards her comfort as his charge, and her wishes as law, even into old age.

Journeys in Persia and Kurdistan, Volume I (of 2) — Part 156

When tea was over the host retired with the remark that the ladies would prefer to amuse themselves alone, and then a Princess and another lady arrived attended by several servants. This Princess came in the black silk sheet with a suggestion of gold about its border which is the street disguise of women of the richer classes, and she wore huge bag-like violet trousers, into which her voluminous skirts were tucked.

Journeys in Persia and Kurdistan, Volume I (of 2) — Part 156

She emerged from these wrappings a "harmony" in rose colour--a comely but over-painted young woman in rose and silver brocade skirts, a rose velvet jacket embroidered in silver, a transparent white muslin _pirah[=a]n_ with silver stars upon it, and a _chargat_ of white muslin embroidered in rose silk.

Journeys in Persia and Kurdistan, Volume I (of 2) — Part 156