Under the influence of this new enterprise and prosperity, the picture of social life becomes more pleasing. The English noble succeeded to the feudal baron, the manor to the fortress. With the coat of mail and huge two-handed sword passed away the portcullis and the moat. The new homes of the nobility, erected during Elizabeth's reign, were marked by a beauty and luxury in keeping with the new ideas of their owners. The eye still rests with admiration on the numberless gables, the quaint chimneys, the oriel windows, the fretted parapets of the Tudor building. Within, the magnificent staircases, the great carved chimney-pieces, the massive oaken furniture, the costly cabinets, and elaborate tapestries all attested the new wealth and the new taste of the occupants. A large chamber of Hardwicke Hall was decorated with a frieze representing a stag hunt, and beneath that the story of Ulysses wrought in tapestry.[38] Harrington rejoiced in the number of "goodly chambers, large gardens and sweet walks" of Elizabeth's palaces. The "goodly chambers" were filled with cloths of gold and silver, with satin-covered furniture, and silk coverlids lined with ermine. In the houses of knights and gentlemen were to be seen a great profusion of "Turkic worke, pewter, brasse, fine linen, and thereto costlie cupbords of plate worth five or six hundred or a thousand pounds."[39] The lord of the manor no longer took his meals with all his retainers in the great hall, throwing the bones and scraps from his wooden trencher to his dogs. He withdrew into a separate apartment, and dined with a new refinement. A hitherto unknown variety of food covered the table, served on pewter, china, or silver, instead of the primitive trencher.
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A History of English Prose Fiction — Part 34
2026-11-15 03:14:08 · Cedar Herald Index
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