It was hard to tear myself from these eloquent memorials, which I was looking upon for the first time, as doubtless it was the last. All around the little graveyard was green country--that lovely English green of velvet grass and noble trees which, after a month of it, was still an ever-fresh rapture to my Australian eyes. "An unproductive waste," it was said to have been, prior to the famous underdraining and claying; could my grandfather have seen it with me, he would have felt satisfied with his work, although not a town, or a railroad, or even a telegraph wire, was in sight.
But there was the little church to revisit yet--another shrine of memory. As I walked up the aisle and looked about me, I saw that in half-a-century the hand of change had scarcely touched it. It was a new church, with the exception of the Norman doorway, when I made its acquaintance as a child taken there by its nurse, and it started with the open benches and stencilled walls that were novelties of fashion then. There they were, the same, to the very pattern and hues of the mural decoration, which showed no sign either of renewal or decay. The armorial shields (to the memory of pious benefactors, doubtless), painted in their proper colours, that made a cornice to the little apse that formed the chancel, were each in its old place, tilted forward at the same angle; I recognised them all. Many a tedious hour had they relieved, as pictures to be studied and puzzled over--the breed of the various heraldic animals, the reasons of their parti-coloured coats and antic attitudes, and so on.
And what a procession of quaint figures passed before me as I stood at the upper end, where we had our family pew, and looked down at the open door through which the dead and gone flocked in! The aged labourers, soaped and oiled, in their clean smock-frocks with the wonderful stitchery on back and front; the neat old women, who unwrapped their church books from their clean pocket-handkerchiefs when service began, and wrapped them up again as soon as it was over; the village dressmaker, who sat just behind us, and whose stylish costumes I used to study through the back of our seat while kneeling on my hassock the reverse way to her--memorable chiefly for puffy white muslin undersleeves that were kept up with elastic which showed when she covered her face with her hands, and had wristbands with black velvet run through the holes in them; the organist at his little instrument near the entrance (it is in another place now, and is not played by turning a handle, as in his time); the inevitable schoolmaster with his indispensable long cane; the servant girls and their swains, the numerous child cousins, etc., etc.--a throng of ghosts. But there was one great and sensational event connected with my early attendances at this church, matching that of the raven in the other, only in this case tragedy instead of comedy; and I was looking at it the whole time, as at a cinematograph reproduction of the living scene.