Fairly seated in this comfortless spot, the homesick girl looked about her to take in her dreary surroundings. Bare floors, not over clean, the most offensive looking faded red curtains flapping disconsolately against the old-fashioned, small-paned soiled windows; a platform, whose attempts at carpeting represented a large-patterned, soiled ingrain rag, whose colors, once much too bright for the place, had faded into disreputable ghosts of their former selves. The whole effect seemed to Claire by far more dreary than the bare floor of the aisles. A plain, square, four-legged table, that had not even been dusted lately, did duty as a pulpit desk, and a plain, wooden-backed, wooden-seated chair stood behind it. These were the sole attempts at furnishing. The walls of this desolate sanctuary seemed begrimed with the smoke of ages; they were festooned with cobwebs, these furnishing the only attempts at hiding the unsightly cracks. The few dreary-looking kerosene lamps disposed about the room gave the same evidence of neglect in their sadly smoked chimneys and general air of discouragement. However, had Claire but known it, she had cause for gratitude over the fact that they were not lighted, for they could prove their unfitness for the place they occupied in a much more offensive way.
Such, then, in brief, was the scene that greeted her sad eyes that morning. How utterly homesick and disheartened she was! It was all so different from the surroundings to which she had all her life been accustomed! She closed her eyes to hide the rush of tears, and to think, foolish girl that she was, of that other church miles and miles away. She could seem to see familiar forms gliding at this moment down the aisles, whose rich carpets gave back no sound of footfall. How soft and clear the colors of that carpet were! A suggestion of the delicately carpeted woods, and the shimmer of sunlight on a summer day toward the sun setting. She had helped to select that carpet herself, and she knew that she had an artist's eye for colors and for harmony. It was not an extravagantly elegant church--as city churches rank--that one to which her heart went back, but just one of those exquisitely finished buildings where every bit of color and carving and design which meet the cultured eye, rests and satisfies. Where the law of harmony touches the delicately frescoed ceiling, reaches down to the luxuriously upholstered pews, finds its home in the trailing vines of the carpet, and breathes out in the roll of the deep-toned organ.