[Illustration: LIX _BRIDONA_ SADDLE (_15th Century. Royal Armoury, Madrid_)]

Until 1793, the smaller firearms of the Spanish army were made at Plasencia in Guipúzcoa. In that year the government factory, where hand-labour alone continued to be used till 1855, was removed to Oviedo. To-day this factory employs about five hundred workmen. In 1809 Laborde wrote that "firearms, such as fusees, musquets, carbines, and pistols are manufactured at Helgoivar, Eybor, and Plasencia; at Oviedo, Barcelona, Igualada, and at Ripoll; the arms made at the latter city have long had a distinguished reputation. Seven hundred and sixty-five gunsmiths, it is estimated, find employment in the factories of Guipúzcoa."

The Arts and Crafts of Older Spain, Volume I (of 3) — Part 128

Both Townsend and the foregoing writer give a good account of Spanish cannon at this time. According to Laborde, "two excellent founderies for brass cannon are royal establishments at Barcelona and Seville; in the latter city copper cannon are cast, following the method recommended by M. Maritz. Iron ordnance are made at Lierganez and Cavada." Townsend wrote of Barcelona, in 1786; "The foundery for brass cannon is magnificent, and worthy of inspection. It is impossible anywhere to see either finer metal, or work executed in a neater and more perfect manner. Their method of boring was, in the present reign, introduced by Maritz, a Swiss. Near two hundred twenty-four pounders are finished every year, besides mortars and field-pieces."

The Arts and Crafts of Older Spain, Volume I (of 3) — Part 128

Probably no relic of the former of these crafts in Spain is older or more curious than the iron bit (Plate lvii., No. 8), inlaid with silver dragons' heads and crosses, and attributed, from cruciform monograms which also decorate it, to the Visigothic King Witiza (who died in 711), or sometimes to the conqueror of Toledo, Alfonso the Sixth (eleventh century). The spurs or _acicates_ (Plate lvii., No. 9) of Ferdinand the Third of Castile, who conquered Seville from the Moors, are also treasured in the Royal Armoury, and bear upon an iron ground remains of gold and silver decoration representing castles. The Count of Valencia de Don Juan believed these spurs to be authentic, because they are identical with the ones which Ferdinand wears in his equestrian seal, preserved among the National Archives of France, and dating from the year 1237.

The Arts and Crafts of Older Spain, Volume I (of 3) — Part 128